祖堅 正慶's 'Sixteen Bells' had a release date set for 1987. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 181 in FINAL FANTASY XVI Original Soundtrack by 祖堅 正慶. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Sixteen Bells is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sixteen Bells by 祖堅 正慶 is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Bladed Tactician | Yasunori Mitsuda, TADAYOSHI MAKINO | E Minor | 8 | 9A | 150 BPM | ||
| Sophisticated Fight -Command Battle- | Falcom Sound Team jdk | D Minor | 5 | 7A | 114 BPM | ||
| Comrades Come | Chamber Chu | C Minor | 2 | 5A | 132 BPM | ||
| 蒼崎青子 | Hideyuki Fukasawa | B♭ Minor | 8 | 3A | 140 BPM | ||
| In Ashen Grip | 祖堅 正慶 | G Minor | 5 | 6A | 73 BPM | ||
| Emil / Karma | SQUARE ENIX MUSIC | G Major | 9 | 9B | 155 BPM | ||
| CRISIS CORE Theme - True Motives | 石元 丈晴 | E Minor | 6 | 9A | 130 BPM | ||
| Five | Hideyuki Fukasawa | D♭ Major | 8 | 3B | 130 BPM | ||
| Pathway to Atelier | Hyunmin Cho, SHIFT UP | F Minor | 8 | 4A | 155 BPM | ||
| FFVII REMAKE: The Red Zone | 鈴木 光人 | C Minor | 9 | 5A | 158 BPM | ||
| Desperate Fight | 崎元仁(ベイシスケイプ) | F Major | 5 | 7B | 150 BPM | ||
| The Lost City | アトラスサウンドチーム, ATLUS GAME MUSIC | C Major | 4 | 8B | 137 BPM | ||
| Final Fantasy VI: Kids Run Through the City Corner | Arnie Roth, Distant Worlds Philharmonic Orchestra | F Major | 4 | 7B | 129 BPM | ||
| Furycane, Vitality Primal - Part 2 | Tsutomu Narita | F Major | 1 | 7B | 90 BPM | ||
| Elder Naytiba | Oliver Good | A♭ Minor | 5 | 1A | 140 BPM | ||
| ノウス=パルトゥス | 鈴木光人 | G Major | 0 | 9B | 67 BPM | ||
| Let the Battles Begin! - Battle Medley (FINAL FANTASY VII REMAKE) | Arnie Roth, Distant Worlds Philharmonic Orchestra | D Major | 2 | 10B | 129 BPM | ||
| Divine Bloodlines / from Akumajo Dracula X Rondo of Blood | Castlevania Sound Team | D♭ Major | 10 | 3B | 140 BPM | ||
| メインタイトル - 旅立ち | 堀諭史 | F♯ Major | 6 | 2B | 140 BPM | ||
| finish the promise | MOTOO FUJIWARA | A Minor | 7 | 8A | 200 BPM | ||
| Never to Break | 祖堅 正慶 | F♯ Minor | 9 | 11A | 130 BPM | ||
| The Outlaw | 今村 貴文 | D Major | 2 | 10B | 50 BPM | ||
| Nay! The Honor is All Ours | Akihiko Narita | B Minor | 8 | 10A | 144 BPM | ||
| Maelstrom | Hyunmin Cho, SHIFT UP | F Major | 9 | 7B | 150 BPM | ||
| Battle with Magus | Malcolm Robinson | A Minor | 7 | 8A | 79 BPM |