"Cloud Movements: V. Larghetto" by Cheryl Frances-Hoad, Rozenn Le Trionnaire, Francesca Barritt, Sholto Kynoch had its release date on November 12, 2020. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Cloud Movements: V. Larghetto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 17 in Cheryl Frances-Hoad: The Whole Earth Dances by Cheryl Frances-Hoad, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Cloud Movements: V. Larghetto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cloud Movements: V. Larghetto by Cheryl Frances-Hoad, Rozenn Le Trionnaire, Francesca Barritt, Sholto Kynoch is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerti ecclesiastici: No. 50, Sonata à 4 | Giovanni Paolo Cima, Ecco la musica | D♭ Major | 2 | 3B | 87 BPM | ||
| Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | D Major | 1 | 10B | 83 BPM | ||
| Sarabande for violin and piano | Ludovico Einaudi, Trio Fibonacci | A Major | 0 | 11B | 61 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| Images, Suite No. 3, Op. 35: I. Les ânesses grises sur la route d’El-Azib | Marcel Tournier, Emmanuel Ceysson, Quatuor Voce | G Minor | 0 | 6A | 135 BPM | ||
| Child Falling Asleep, Op. 15 No. 12 (Arr. W. Newell for String Quartet) | Robert Schumann, Solem Quartet | G Major | 1 | 9B | 74 BPM | ||
| Ave Maria, WAB 6 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones | D Major | 0 | 10B | 133 BPM | ||
| Duo Concertant, K054: V. Dithyrambe | Igor Stravinsky, Tamsin Waley-Cohen, Huw Watkins | E Minor | 0 | 9A | 76 BPM | ||
| The Lark Ascending: II. Allegretto tranquillo, quasi andante | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Major | 1 | 10B | 88 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| The Thought Machine: II. Night Journey | Cheryl Frances-Hoad, Sophie Daneman, Mark Stone, Sholto Kynoch | A Minor | 1 | 8A | 78 BPM | ||
| Piano Quintet No. 2 "Transience Patterns": I. Prelude | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | E Minor | 0 | 9A | 76 BPM | ||
| Lobgesang: I. Introduzione Pastorale. Andante con moto | Fanny Mendelssohn, Kammerakademie Potsdam, Justin Doyle | G Major | 1 | 9B | 63 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Suite No. 1 for Solo Violin: I. Adagietto | Cheryl Frances-Hoad, Fenella Humphreys | A Major | 0 | 11B | 130 BPM | ||
| Christus factus est, WAB 11 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Requiem, Op. 48: Offertoire | Gabriel Fauré, Collegium Vocale Gent, Philippe Herreweghe, Stephan Genz, La Chapelle Royale | D Major | 0 | 10B | 64 BPM | ||
| Magnificat | Arvo Pärt, Estonian Philharmonic Chamber Choir, Paul Hillier | F Minor | 0 | 4A | 81 BPM | ||
| Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | ||
| Ochre: I. Siderite | Caroline Shaw, The Crossing, Donald Nally, Dan Schwartz | D Major | 1 | 10B | 128 BPM | ||
| 8 Pieces, Op. 39: No. 3, Berceuse | Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff | E Minor | 2 | 9A | 82 BPM | ||
| Come to Me in My Dreams, H. 71 - Musical Moments | Frank Bridge, Theodore Platt, Keval Shah | E Minor | 0 | 9A | 76 BPM | ||
| Symphony No. 14, "Morgenen" (the Morning), BVN 336: II. Upaagtede morgenstjerner [Unnoticed morning stars] | Rued Langgaard, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard | F Major | 0 | 7B | 81 BPM | ||
| 5 Bagatelles, Op. 23: No. 2, Romance | Gerald Finzi, Anastasia Schmidlin, Denis Zhdanov | E Minor | 0 | 9A | 76 BPM | ||
| O Come, Let Us Sing Unto the Lord | Cheryl Frances-Hoad, The Choir of Magdalen College, Oxford, Mark Williams | E Minor | 0 | 9A | 76 BPM |