"Forever Lost" by Michel F. April had its release date on August 2, 2019. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 25 out of 40 in Dead by Daylight (Original Game Soundtrack) by Michel F. April. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, Forever Lost's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Forever Lost by Michel F. April is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Apex Predators | Stephen Barton | F Major | 4 | 7B | 131 BPM | ||
| Face Hugger | Jed Kurzel | B♭ Minor | 2 | 3A | 180 BPM | ||
| Psionic Presence | Zac Tiessen, Yoed Nir | A♭ Major | 6 | 4B | 128 BPM | ||
| Death's Shadow Falls Upon Us | Shadow's Symphony | A♭ Major | 4 | 4B | 95 BPM | ||
| No Place to Hide | Michel F. April | D♭ Major | 6 | 3B | 85 BPM | ||
| Hall of Mirrors | Benjamin Wallfisch | D♭ Major | 3 | 3B | 116 BPM | ||
| Reborn as One | Trevor Gureckis | G Major | 5 | 9B | 92 BPM | ||
| SSE | Evan Royalty | E♭ Major | 0 | 5B | 134 BPM | ||
| Into the Void: Suspense | Daniel Licht | F Minor | 2 | 4A | 109 BPM | ||
| Propelled | Shusaku Uchiyama | D Major | 4 | 10B | 78 BPM | ||
| Shadoween | Michel F. April | D♭ Minor | 2 | 12A | 119 BPM | ||
| Cyprus Ultima: First Movement | Paul Leonard-Morgan | C Major | 3 | 8B | 170 BPM | ||
| Forlorn Depths | 大本望美 | D♭ Major | 4 | 3B | 128 BPM | ||
| Jungle Preparation I | Hyperduck Soundworks | F Major | 5 | 7B | 90 BPM | ||
| Cyclop | Arkadiusz Reikowski | G Minor | 7 | 6A | 140 BPM | ||
| Coming to Kill You | Masami Ueda | A Major | 3 | 11B | 162 BPM | ||
| The Music Department | Bendy | D♭ Major | 1 | 3B | 118 BPM | ||
| Hunger for the Stars | Trevor Gureckis | A♭ Major | 5 | 4B | 131 BPM | ||
| Panic Room | AfterInfinity, Evan Royalty | E Minor | 0 | 9A | 136 BPM | ||
| Here Comes Trouble | Akuma Kira | D Minor | 8 | 7A | 120 BPM | ||
| It's Here | The Flight, Christian Henson | D♭ Major | 9 | 3B | 164 BPM | ||
| Sealed Fate | Brenden Frank | C Major | 0 | 8B | 135 BPM | ||
| Path To Minos | Paul Gorman | A♭ Major | 4 | 4B | 90 BPM | ||
| Kuishinbō | Ampient | G Major | 1 | 9B | 135 BPM | ||
| One Eight Four: On-Scene | Masafumi Takada | F Minor | 1 | 4A | 130 BPM |