"The Cabin" by Bernard Herrmann had its release date on 1964. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Bernard Herrmann's "Marnie (Complete Original Motion Picture Score)" album is number 22 out of 51. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Cabin is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Cabin by Bernard Herrmann to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No Love For Daddy - Bande originale du film "Comment trouvez-vous ma soeur ?" | Michel Colombier | A Minor | 3 | 8A | 102 BPM | ||
| Mistress Arrives | Michel Colombier | C Minor | 2 | 5A | 94 BPM | ||
| Theme From The Conversation - Ensemble | David Shire | C Minor | 1 | 5A | 103 BPM | ||
| 6 AM | Howard Shore | G Major | 1 | 9B | 121 BPM | ||
| Main Title - Gone With the Wind | Max Steiner | F Major | 4 | 7B | 122 BPM | ||
| Casey's Song | Justin Hurwitz | F Major | 2 | 7B | 80 BPM | ||
| Mina / Dracula - From 'Bram Stoker's Dracula' | Wojciech Kilar | F Major | 4 | 7B | 109 BPM | ||
| Storm Rider - The Grand Duel: Parte Sesta | Luis Bacalov | D Minor | 0 | 7A | 82 BPM | ||
| Blanche | Ray Heindorf | F Minor | 1 | 4A | 176 BPM | ||
| Main Theme | Andrew Hale | B♭ Minor | 3 | 3A | 101 BPM | ||
| Freshly Squeezed - Instrumental | Angelo Badalamenti | F Minor | 2 | 4A | 80 BPM | ||
| Theme from Taxi Driver - Reprise | Bernard Herrmann, Dave Blume | D Minor | 5 | 7A | 158 BPM | ||
| Ev'ry Time I Look In Your Eyes/After The Party | Carmine Coppola | A♭ Major | 3 | 4B | 113 BPM | ||
| sanctum | Nathanial Young, Branden Brown | D Minor | 2 | 7A | 127 BPM | ||
| MISHIMA/Opening | Philip Glass, Kronos Quartet, Michael Riesman | B♭ Major | 1 | 6B | 111 BPM | ||
| The Dream | Bernard Herrmann Studio Orchestra, Bernard Herrmann | C Major | 2 | 8B | 101 BPM | ||
| Ripley - Instrumental | Harry Rabinowitz | D Minor | 3 | 7A | 112 BPM | ||
| He Really Needs Me | Punch-Drunk Love | E Major | 1 | 12B | 84 BPM | ||
| Teneramente | Giorgio Gaslini | C Major | 2 | 8B | 128 BPM | ||
| Natascha - Main Theme | Peter Thomas Sound Orchester | C Major | 3 | 8B | 95 BPM | ||
| To The Office The Elevator | David Shire | F Minor | 2 | 4A | 73 BPM | ||
| Byron And Natalie (Love Theme From "The Winds Of War") | Bob Cobert | C Minor | 3 | 5A | 80 BPM | ||
| High Heeled Shoes | MGM Studio Orchestra, André Previn | F Minor | 6 | 4A | 83 BPM | ||
| Não Podes Fugir do Teu Destino | Hareton Salvanini | F Major | 4 | 7B | 77 BPM | ||
| Love Me | Sven Libaek | C Major | 0 | 8B | 99 BPM |