Rudolf Schock's ' "Vorhang auf!" was released on its scheduled release date, February 28, 2023. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Vorhang auf!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Rudolf Schock; Einfach das beste, Vol. 3". In this album, this song's track order is #20. In terms of popularity, Vorhang auf! is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Vorhang auf! by Rudolf Schock having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wenn die Glocken hell erklingen | Lys Assia | G Major | 4 | 9B | 168 BPM | ||
| Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
| Bunt sind schon die Wälder | Eva Lind | A♭ Major | 4 | 4B | 87 BPM | ||
| Man müsste nochmal zwanzig sein | Willy Schneider | D♭ Major | 3 | 3B | 79 BPM | ||
| Vor meinem Vaterhaus steht eine Linde | Robert Stolz, Rudolf Schock | F Major | 1 | 7B | 76 BPM | ||
| Eintonig klingt hell das Glocklein | Modest Mussorgsky, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Lothar Zagrosek | C Major | 6 | 8B | 91 BPM | ||
| Schenk deiner Frau (doch hin und wieder... ) | Eddie Constantine | F Major | 4 | 7B | 90 BPM | ||
| The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
| Als flotter Geist | Rudolf Schock | G Major | 4 | 9B | 168 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Pierre Dervaux, Ernest Blanc, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | E♭ Major | 2 | 5B | 88 BPM | ||
| Du traumschöne Perle der Südsee | Rudolf Schock | G Major | 5 | 9B | 119 BPM | ||
| Pueri, concinite | Johann Ritter von Herbeck, Daniel Behle, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Helmuth Froschauer | D Major | 3 | 10B | 130 BPM | ||
| Wiener Blut (operetta): Stoß an! | Johann Strauss II, Rita Bartos, Sandor Konya, Herta Talmar, Willy Hofmann, Peter Alexander, Chor, Franz Marszalek, Kölner Rundfunkorchester | E♭ Major | 4 | 5B | 175 BPM | ||
| Arrivederci Roma | Renato Rascel, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Major | 1 | 6B | 85 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| La traviata / Act 2: "Di Provenza il mar, il suol" | Giuseppe Verdi, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | D♭ Major | 1 | 3B | 137 BPM | ||
| Les Troyens, H 133 / Act V: "Ah! Ah! Je vais mourir ... Adieu, fière cité" | Hector Berlioz, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | A♭ Major | 1 | 4B | 80 BPM | ||
| Bellini: I puritani: "Credeasi, misera, da me tradita" (Arturo, Elvira, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D♭ Major | 3 | 3B | 181 BPM | ||
| "Wien, Wien nur du allein" | Rudolf Sieczynski, Fritz Wunderlich, Vienna Volksoper Orchestra, Robert Stolz | G Major | 4 | 9B | 77 BPM | ||
| Schenkt man sich Rosen in Tirol (From "Der Vogelhändler) | Carl Zeller, Jonas Kaufmann, Ádám Fischer | B♭ Major | 3 | 6B | 82 BPM | ||
| Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | D♭ Minor | 7 | 12A | 102 BPM | ||
| Der Freischütz, J. 277, Act III: Und ob die Wolke sie verhülle | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | A♭ Major | 1 | 4B | 135 BPM | ||
| Torna a Surriento | Ernesto de Curtis, Juan Diego Flórez, Filarmonica Gioachino Rossini, Carlo Tenan | E Major | 2 | 12B | 91 BPM | ||
| Tannhäuser: Beglückt darf nun dich, o Heimat, ich schauen | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E♭ Major | 2 | 5B | 83 BPM | ||
| Voi, che sapete (Le nozze di Figaro) | Rise Stevens | B♭ Major | 1 | 6B | 70 BPM |