Diahann Carroll's ' "I Should Care" was released on its scheduled release date, 1960. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. I Should Care's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The Andre Previn Trio". In this album, this song's track order is #7. I Should Care is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With I Should Care by Diahann Carroll having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Never Never Land | Mary Martin, Jule Styne, Louis Adrian, Mark "Moose" Charlap, Winter Garden Theatre Orchestra | C Major | 1 | 8B | 94 BPM | ||
| The Hostess With The Mostes' On The Ball - From "Call Me Madam" | Ethel Merman, Gordon Jenkins & His Orchestra | A♭ Major | 3 | 4B | 176 BPM | ||
| I Remember It Well | Maurice Chevalier | C Major | 1 | 8B | 94 BPM | ||
| It's Better With A Band | Barbara Cook | F♯ Major | 5 | 2B | 161 BPM | ||
| This Can't Be Love | Diahann Carroll | B♭ Minor | 3 | 3A | 166 BPM | ||
| Miles to Go | Clover Keys Music | B♭ Major | 3 | 6B | 103 BPM | ||
| I Got The Sun In The Morning - From "Annie Get Your Gun" | Ethel Merman, Annie Get Your Gun Original 1946 Chorus | E♭ Major | 3 | 5B | 179 BPM | ||
| One Hundred Easy Ways | Rosalind Russell | F Minor | 2 | 4A | 68 BPM | ||
| Bill Bailey, Won't You Please Come Home? | Pearl Bailey | D♭ Major | 6 | 3B | 107 BPM | ||
| It's De-Lovely | Jeri Southern | B♭ Major | 1 | 6B | 74 BPM | ||
| Bewitched | Original Broadway Cast of 'Pal Joey' | D♭ Major | 2 | 3B | 85 BPM | ||
| World on the Rope | Maria Gilbert | C Major | 2 | 8B | 116 BPM | ||
| Next Spring | Lucy Yeghiazaryan | G Minor | 4 | 6A | 176 BPM | ||
| Things Ain't What They Used To Be | Lambert, Hendricks & Ross | D♭ Major | 3 | 3B | 106 BPM | ||
| Takes Two to Tango | Pearl Bailey | F Major | 2 | 7B | 114 BPM | ||
| Where Is Love? | Bruce Prochnik | C Major | 0 | 8B | 82 BPM | ||
| Everybody's Girl | Debra Monk | D Major | 4 | 10B | 96 BPM | ||
| One of the Boys | Lauren Bacall, Rex Everhart | A♭ Major | 6 | 4B | 139 BPM | ||
| Who's Afraid Not I, Not I, Not I | Dickie Valentine | E♭ Major | 1 | 5B | 86 BPM | ||
| Somebody | Dorothy Dandridge | D♭ Major | 2 | 3B | 88 BPM | ||
| It's a Lonesome Old Town | Helen O'Connell | C Minor | 1 | 5A | 69 BPM | ||
| Mame | Mame Soundtrack - Robert Preston & Chorus | A Minor | 3 | 8A | 115 BPM | ||
| Bill | Morgana King | G Major | 1 | 9B | 83 BPM | ||
| When Velma Takes The Stand (from "Chicago") | John Kander, Chita Rivera, Chicago Ensemble, Stanley Lebowsky | G Major | 7 | 9B | 114 BPM | ||
| Bill | Jerome Kern, Audra McDonald | B♭ Major | 1 | 6B | 73 BPM |