Anonymous: Alma Redemptoris mater: by George Frideric Handel, Taverner Choir/Taverner Players/Andrew Parrott, Andrew Parrott Song Details

"Anonymous: Alma Redemptoris mater:" by George Frideric Handel, Taverner Choir/Taverner Players/Andrew Parrott, Andrew Parrott had its release date on January 1, 1989. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Andrew Parrott's "Handel - Carmelite Vespers" album is number 16 out of 54. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Anonymous: Alma Redemptoris mater: is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Anonymous: Alma Redemptoris mater: by George Frideric Handel, Taverner Choir/Taverner Players/Andrew Parrott, Andrew Parrott to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Music Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -26.855 dB
Acousticness: 81%
Danceability: 19%
Energy: 4%
Instrumentalness: 0%
Liveness: 15%
Loudness: 55%
Speechiness: 5%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
12 Concerti Grossi, Op. 6, No. 2 in F Major: I. Vivace - Allegro	Arcangelo Corelli, Europa Galante, Fabio Biondi	E Major	1	12B	120 BPM
Acis and Galatea, HWV 49b: Sinfonia	George Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque Ensemble	G Major	5	9B	140 BPM
Suite in G minor: IV. Bourree II (Arr. A. Camden)	George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward	C Minor	1	5A	114 BPM
Symphony No. 3 in C Major, Op. 2, "the Chaplet": II. Vivace	William Boyce, Aradia Ensemble, Kevin Mallon	B Major	0	1B	82 BPM
Minuet in G Major, BWV Anh. 114 – Minuet in G Minor, BWV Anh. 115 (Formerly Attrib. Bach)	Christian Petzold, Mahan Esfahani	B♭ Minor	0	3A	89 BPM
Flute Concerto No. 3 in C: 3. Allegro assai	Frederick the Great, Patrick Gallois, Carl Philipp Emanuel Bach Chamber Orchestra, Peter Schreier	C Major	1	8B	130 BPM
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto	William Boyce, Aradia Ensemble, Kevin Mallon	E Major	2	12B	153 BPM
Overture (Suite) In G Minor, TWV 55: G4: II. Rondeau: Gayement	Cologne Chamber Orchestra, Georg Philipp Telemann	B♭ Major	3	6B	134 BPM
Concerti a cinque Op. 9 for oboe and strings, Concerto No. 8 in G major: III. Allegro	Han De Vries, Bob van Asperen, Alma Musica Amsterdam	F♯ Minor	2	11A	106 BPM
Abdelazer, Z.570: Overture & Rondeau	Henry Purcell, Academy of Ancient Music, Christopher Hogwood	D♭ Minor	2	12A	122 BPM
L'Allegro, Il Penseroso, ed il Moderato, HWV 55, Part III: "As steals the morn"	George Frideric Handel, Lucy Crowe, Mark Padmore, The English Concert, Andrew Manze	A Major	1	11B	84 BPM
Les Indes galantes: Air des Sauvages	Jean-Philippe Rameau, La Chapelle Royale, Philippe Herreweghe	F♯ Minor	2	11A	85 BPM
Symphony No. 1 in E Major: II. Andantino	John Abraham Fisher, Czech Philharmonic Chamber Orchestra, Petra Žďárská, Michael Halasz	A Major	0	11B	112 BPM
Fauré: Pavane, Op. 50	Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas	F♯ Minor	0	11A	62 BPM
Ode for St. Cecilia's Day, HWV 76: Air: Orpheus could lead the savage race	George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich	A♭ Minor	0	1A	96 BPM
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78	Felix Mendelssohn, Jan Lisiecki	G Minor	0	6A	168 BPM
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture	Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques	B♭ Major	3	6B	128 BPM
Requiem in C Minor, MH 559: Kyrie	Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt	C Minor	2	5A	78 BPM
String Quintet No. 60 in C Major, G. 324 "La musica notturna delle strade di Madrid": I. Il campane quando suonano l'Ave Maria	Luigi Boccherini, Cuarteto Casals, Eckart Runge	C Major	1	8B	103 BPM
Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio	Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti	B♭ Major	2	6B	72 BPM
Pygmalion: Overture	Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset	E♭ Minor	1	2A	136 BPM
Sonata in D Major, No. 1: II. Allegro	Arcangelo Corelli, Lucy van Dael, Bob van Asperen	D♭ Major	2	3B	109 BPM
Couperin: Les Baricades mistérieuses	François Couperin, Aurora Orchestra, Nicholas Collon	B♭ Major	0	6B	65 BPM
Handel: Dixit Dominus, HWV 232: I. Dixit Dominus, Domino meo	George Frideric Handel, Emmanuelle Haïm, Karine Deshayes, Le Choeur d'Astrée, Natalie Dessay, Le Concert d'Astrée	A♭ Major	2	4B	61 BPM
Rameau : Hippolyte et Aricie : Overture	Jean-Philippe Rameau, William Christie, Les Arts Florissants	C Major	2	8B	161 BPM