"Gasparone: Dunkelrote Rosen" by Carl Millöcker, Rudolf Schock, Werner Eisbrenner had its release date on January 21, 1985. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Gasparone: Dunkelrote Rosen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Rudolf Schock -Stimme für Millionen". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. In terms of popularity, Gasparone: Dunkelrote Rosen is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gasparone: Dunkelrote Rosen by Carl Millöcker, Rudolf Schock, Werner Eisbrenner having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wiener Bürger, Walzer, Op. 419 | Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker | C Major | 1 | 8B | 97 BPM | ||
| Pomone, Op. 155 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | E♭ Major | 2 | 5B | 183 BPM | ||
| Rigoletto "Scorrendo muti remota via" | Alessio Busanel And His Orchestra | G Major | 3 | 9B | 90 BPM | ||
| Wiener Blut (operetta): Stoß an! | Johann Strauss II, Rita Bartos, Sandor Konya, Herta Talmar, Willy Hofmann, Peter Alexander, Chor, Franz Marszalek, Kölner Rundfunkorchester | E♭ Major | 4 | 5B | 175 BPM | ||
| La forza del destino, Act II: Holà (Ballabile) | Giuseppe Verdi, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | F Major | 0 | 7B | 125 BPM | ||
| Donausagen, Op. 446 | Carl Michael Ziehrer, Robert Stolz | G Major | 3 | 9B | 88 BPM | ||
| Don Carlo*: Act II Scene 1: Dio, che nell'alma infondere (Don Carlos, Rodrigo, Old Monk, Monks) | Giuseppe Verdi, Lars Cleveman, Klas Hedlund, Hilde Leidland, Hillevi Martinpelto, Peter Mattei, Bengt Rundgren, Iwa Sorenson, Martti Wallèn, Jaakko Ryhänen, Ingrid Tobiasson, Royal Swedish Opera Chorus, Royal Swedish Opera Orchestra, Alberto Hold-Garrido | C Major | 3 | 8B | 133 BPM | ||
| Nabucco: Va pensiero sull'ali dorate | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | D♭ Major | 1 | 3B | 152 BPM | ||
| Natasha's Waltz - From War and Peace (1956) | Audrey Hepburn, Nino Rota | C Major | 4 | 8B | 169 BPM | ||
| Die Libelle, Polka mazur, Op. 204 | Josef Strauss, Carlos Kleiber, Wiener Philharmoniker | D Major | 0 | 10B | 100 BPM | ||
| Marienbader Polka | Frantisek Matej Hilmar, R. Glembotzki, WDR Rundfunkorchester Köln, Alfred Walter | A Major | 1 | 11B | 79 BPM | ||
| Eight Russian Folksongs for Orchestra, Op. 58: VI. Cradle Song (Lullaby). Moderato | Anatoly Lyadov, Alexander Gauk | C Minor | 2 | 5A | 72 BPM | ||
| Der Bettelstudent: Soll ich reden, darf ich schweigen? Ich setz den Fall | Carl Millöcker, Hilde Gueden, Rudolf Schock, Robert Stolz | D Major | 1 | 10B | 67 BPM | ||
| Malapou-Galoppe, Op. 148/1 | Joseph Lanner, Nikolaus Harnoncourt, Concentus Musicus Wien | F Major | 1 | 7B | 105 BPM | ||
| Du bist die Welt für mich | Rudolf Schock | E Major | 3 | 12B | 87 BPM | ||
| Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
| Cosmic Serenade | Astrid Voix | G Major | 3 | 9B | 90 BPM | ||
| Bellini: I puritani: "Il rito augusto si compia senza me" (Valton, Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Hino 13 - Confiemos em Deus | Orquestra Sacra Paulista | A♭ Major | 0 | 4B | 133 BPM | ||
| O Mädchen, mein Mädchen | Rudolf Schock | G Major | 2 | 9B | 80 BPM | ||
| The Gypsy Princess - ARV_10 | Emmerich Kálmán, André Rieu | D Major | 2 | 10B | 129 BPM | ||
| Aïda Marche triomphale | Arthur Fiedler, Boston Pops Orchestra | D Major | 3 | 10B | 100 BPM | ||
| Bombones de Viena | George Henkla | F Major | 2 | 7B | 182 BPM | ||
| O dass ich doch ein Raeuber waer | Carl Millöcker, Julius Patzak, Orchester Der Staatsoper Berlin, Leo Blech | D♭ Major | 3 | 3B | 131 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM |