"Aggressive Play" by James Griffith, Mark Matthews had its release date on December 15, 1990. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Aggressive Play's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mark Matthews, Mary Matthews, Sally Ann Griff's "Intense" album is number 4 out of 14. On top of that, United States appears to be the country where this track was created. In terms of popularity, Aggressive Play is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Aggressive Play by James Griffith, Mark Matthews to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Platinum Class | Kumi Tanioka, 逆転オセロニア | C Major | 10 | 8B | 142 BPM | ||
| Sideline To Sideline | Sam Spence | C Minor | 9 | 5A | 93 BPM | ||
| Yip Man's Kwoon - From "Dragon: The Bruce Lee Story" Soundtrack | Randy Edelman | A Major | 5 | 11B | 129 BPM | ||
| Wild Warriors | Rob Walsh, Johnny Douglas, Anne Bryant | C Major | 5 | 8B | 64 BPM | ||
| First Blush | James Griffith, Mark Matthews | G Minor | 4 | 6A | 110 BPM | ||
| Battlefield 1943 Main Theme | Ian Livingstone | B♭ Minor | 5 | 3A | 86 BPM | ||
| The A-Team Escapes | Daniel Caine Orchestra | C Major | 5 | 8B | 125 BPM | ||
| Airport (Main Title) | Alfred Newman | C Minor | 4 | 5A | 89 BPM | ||
| Soopah Funk | Mark Matthews, James Griffith | D Minor | 9 | 7A | 135 BPM | ||
| 暗闇からの使い | 大谷幸 | E Major | 8 | 12B | 110 BPM | ||
| The Rockford Files TV Show Theme | Toners | G Major | 5 | 9B | 105 BPM | ||
| Snowplough Chase | Lorne Balfe | B Minor | 9 | 10A | 170 BPM | ||
| True Heart Of Racing | Michael Giacchino | A Major | 5 | 11B | 155 BPM | ||
| The Goldeneye Overture (Part I: Half Of Everything Is Luck/Part II: The Other Half Is Fate/Part III: For England, James) | Éric Serra | B♭ Minor | 5 | 3A | 99 BPM | ||
| Anacott Steal | Stewart Copeland | D♭ Major | 6 | 3B | 90 BPM | ||
| Mammouth Journey | Ben Bartlett, BBC Concert Orchestra | B Minor | 1 | 10A | 126 BPM | ||
| Lubricator | Frank McDonald, Chris Rae, De Wolfe Music | A Major | 7 | 11B | 154 BPM | ||
| Wolf Cubs | Tommy Gustafsson | F♯ Major | 6 | 2B | 110 BPM | ||
| Phoebe | Addison$ | G Major | 9 | 9B | 161 BPM | ||
| Dracko's Sensei | Paul Hertzog | F Minor | 1 | 4A | 122 BPM | ||
| Fairway To Greatness (PGA Tour) | VonLichten | C Major | 6 | 8B | 130 BPM | ||
| B.A's Ride - From "The A-Team" | Daniel Caine Orchestra | B♭ Major | 7 | 6B | 151 BPM | ||
| Hawk The SLayer | Harry Robertson | G Minor | 6 | 6A | 130 BPM | ||
| The Battle of Britain Suite: I. Luftwaffe March (Aces High) | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | B♭ Major | 5 | 6B | 119 BPM | ||
| Miami at Night Drive | Allister Brimble | D♭ Major | 6 | 3B | 120 BPM |