"Appalachian Spring: Moderato - Andante (very calm)" by Aaron Copland, London Symphony Orchestra had its release date on 1963. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 25 in Copland Conducts Copland - Expanded Edition (Fanfare for the Common Man, Appalachian Spring, Old American Songs (Complete), Rodeo: Four Dance Episodes) by Aaron Copland. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Appalachian Spring: Moderato - Andante (very calm) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Appalachian Spring: Moderato - Andante (very calm) by Aaron Copland, London Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adams: Grand Pianola Music: On the Dominant Divide | John Adams, London Sinfonietta | E♭ Major | 2 | 5B | 84 BPM | ||
| Pelleas and Melisande Suite, Op. 46, JS 147: V. Pastorale | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | A♭ Major | 0 | 4B | 94 BPM | ||
| Vaughan Williams / Orch. Jacob: English Folk Song Suite: II. Intermezzo. My Bonny Boy | Ralph Vaughan Williams, London Symphony Orchestra, Sir Adrian Boult | C Minor | 0 | 5A | 131 BPM | ||
| Symphony No. 2, "A London Symphony": I. Lento - Allegro risoluto | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | E Minor | 0 | 9A | 83 BPM | ||
| English Suite: March | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | F Minor | 1 | 4A | 125 BPM | ||
| Carnival of the Animals: IV. Tortoises | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Minor | 0 | 5A | 65 BPM | ||
| The Planets, Op. 32: 2. Venus, the Bringer of Peace | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Minor | 0 | 3A | 81 BPM | ||
| Das Rheingold: Prelude | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 68 BPM | ||
| Symphony No. 6 in A Minor: II. Andante Moderato | Gustav Mahler, Valery Gergiev, London Symphony Orchestra | B♭ Major | 0 | 6B | 129 BPM | ||
| Suffolk Suite: II. Orford Ness. Allegretto grazioso | Doreen Carwithen, Richard Hickox, London Symphony Orchestra | G Major | 0 | 9B | 78 BPM | ||
| VI. Lullaby | Igor Stravinsky, Brussels Philharmonic, Ali Rahbari | A♭ Minor | 0 | 1A | 118 BPM | ||
| Symphony No. 5 in D Minor, Op. 107, MWV N15 "Reformation": III. Andante | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | G Minor | 0 | 6A | 67 BPM | ||
| Suite No. 3, P. 172: II. Arie Di Corte: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | G Major | 0 | 9B | 79 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| Appalachian Spring: VII. Doppio movimento | Aaron Copland, New York Philharmonic, Leonard Bernstein | C Major | 0 | 8B | 84 BPM | ||
| Suite No. 1, Op. 13: III. Nocturne | New Zealand Symphony Orchestra, Jules Massenet | A♭ Major | 0 | 4B | 85 BPM | ||
| Symphony No. 5 in C-Sharp Minor: IV. Adagietto | Gustav Mahler, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 1 | 7B | 83 BPM | ||
| Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | ||
| Symphony No. 3, "Pastoral Symphony": IV. Lento - Moderato maestoso | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Major | 2 | 9B | 169 BPM | ||
| Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, Sir Colin Davis, London Symphony Orchestra | D Major | 1 | 10B | 171 BPM | ||
| 4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM | ||
| Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
| Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 3, Moonlight | Benjamin Britten, André Previn, London Symphony Orchestra | G Minor | 1 | 6A | 117 BPM | ||
| The Planets, Op. 32: III. Mercury, the Winged Messenger | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 0 | 9B | 76 BPM | ||
| Henry V, A Shakespeare Scenario: IV. Interlude. Touch her Soft Lips and Part | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Christopher Plummer, Choristers of Westminster Cathedral, Academy of St Martin in the Fields Chorus | C Major | 0 | 8B | 87 BPM |