Raphaël Feuillâtre's 'Triaela: III. Clown Down (Gismonti au cirque)' had a release date set for July 4, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Raphaël Feuillâtre: Guitar Recital". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. In terms of popularity, Triaela: III. Clown Down (Gismonti au cirque) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Triaela: III. Clown Down (Gismonti au cirque) by Raphaël Feuillâtre having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite in the Old Style (excerpts, Arr. for Cello and Piano J. Sévilla-Fraysse): III. Minuet | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | A Minor | 0 | 8A | 92 BPM | ||
| Andante No. 7 in A Minor | Pedro Ximénez Abril y Tirado, Christopher Avilez | A♭ Minor | 0 | 1A | 117 BPM | ||
| Confesión de la Llanura | Mirta Alvarez | G Minor | 0 | 6A | 138 BPM | ||
| Rodrigo: Concierto de Aranjuez: I. Allegro con spirito | Joaquín Rodrigo, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | G Major | 2 | 9B | 125 BPM | ||
| La Catedral: III. Allegro solemne | Agustín Barrios Mangoré, Raphaël Feuillâtre | B Minor | 3 | 10A | 129 BPM | ||
| Tra Bo Dau (Arr. Huws for Harp) | Alis Huws | E♭ Major | 0 | 5B | 78 BPM | ||
| Otoñal | Leonardo Andersen | C Minor | 0 | 5A | 134 BPM | ||
| Partita No. 2 in C Minor, BWV 826: I. Sinfonia (Arr. T. Manoukian for Guitar) | Raphaël Feuillâtre | D Minor | 1 | 7A | 87 BPM | ||
| Sarabande for Guitar, FP 179 | Francis Poulenc, Nash Ensemble | E Minor | 0 | 9A | 87 BPM | ||
| Andante No. 12 in B Minor | Pedro Ximénez Abril y Tirado, Christopher Avilez | B♭ Minor | 0 | 3A | 119 BPM | ||
| Vingt-Sixiéme Ordre - L'Epineuse | François Couperin, David Russell | A Minor | 1 | 8A | 75 BPM | ||
| Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
| Triaela: III. Clown Down (Gismonti au cirque) | Raphaël Feuillâtre | D♭ Minor | 0 | 12A | 118 BPM | ||
| Aquarelle: II. Valseana | Raphaël Feuillâtre | E Minor | 1 | 9A | 129 BPM | ||
| Cello Sonata in D Major, Op. 17: II. Andante tranquillo | Luise Adolpha Le Beau, Raphaela Gromes, Julian Riem | C Major | 1 | 8B | 69 BPM | ||
| Same River Twice: I. Dedication | Billy Arcila | D Major | 1 | 10B | 80 BPM | ||
| Prélude, Op. 10 | Mel Bonis, Rosie Bennet | G Major | 0 | 9B | 97 BPM | ||
| Aquarelle: III. Preludio e toccatina | Raphaël Feuillâtre | G Major | 2 | 9B | 94 BPM | ||
| Handel: Suite No.4 In D Minor For Harpsichord, HWV 437: 3. Sarabande (Arr. For Solo Guitar By Andrés Segovia) | George Frideric Handel, Andrés Segovia | D Minor | 3 | 7A | 86 BPM | ||
| Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
| Prélude (Arr. Lewin for 2 Guitars) | Olivia Belli, Alexandra Whittingham, Plínio Fernandes | C Minor | 1 | 5A | 149 BPM | ||
| 5 Preludes, W419, A419: No. 3 in A Minor (Homage to Bach) | Heitor Villa-Lobos, Sean Shibe | A Minor | 0 | 8A | 79 BPM | ||
| Marais: Pièces de viole, Livre II, Suite No. 3 en ré majeur: Les voix humaines | Marin Marais, Thomas Dunford | B Major | 0 | 1B | 83 BPM | ||
| Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM | ||
| Suite, Castellana: II "Arada" | Federico Moreno Torroba, Alexander-Sergei Ramírez | D Minor | 0 | 7A | 94 BPM |