"Also Sprach Zarathustra, Op. 30: I. Introduction" by Richard Strauss, Ferdinand Leitner, SWR Symphony Orchestra had its release date on September 15, 2005. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 99 in the song's album "The 99 Most Essential Classics of the Romantic Era". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Sweden. Also Sprach Zarathustra, Op. 30: I. Introduction is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also Sprach Zarathustra, Op. 30: I. Introduction by Richard Strauss, Ferdinand Leitner, SWR Symphony Orchestra having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 5 | Chicago Symphony Orchestra | C Minor | 3 | 5A | 103 BPM | ||
| Rossini: Guillaume Tell: Overture | Gioachino Rossini, Antonio Pappano, Gabriele Gemignani, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 82 BPM | ||
| Gayaneh: Sabre Dance | Aram Khachaturian, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | A♭ Major | 4 | 4B | 126 BPM | ||
| J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Kirill Kondrashin, The Symphony Orchestra of the Moscow Philharmonic Society | A♭ Minor | 5 | 1A | 89 BPM | ||
| Verdi: Messa da Requiem: II. Dies irae | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | C Minor | 2 | 5A | 81 BPM | ||
| Götterdämmerung, WWV 86D, Götterdämmerung (Twilight of the Gods), Act III: Siegfrieds Tod - Trauermarsch | Richard Wagner, Sofia Radio Symphony Orchestra, Vassil Kazandjiev | F Minor | 0 | 4A | 74 BPM | ||
| Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | ||
| Verdi: Aida, Act 2: Triumphal March | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Major | 0 | 5B | 93 BPM | ||
| Adagio In G Minor | The Holy Royal Orchestral Academy | B Minor | 2 | 10A | 65 BPM | ||
| Le Carnaval des Animaux, R. 125: Akvarium | Camille Saint-Saëns, Pittsburgh Symphony Orchestra, André Previn | A Minor | 0 | 8A | 82 BPM | ||
| String Quartet, " La Chasse " , No. 1 in B-Flat Major, op. 1: I. Presto | Caspar Da Salo Quartet | F Major | 1 | 7B | 82 BPM | ||
| The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): III. Presto | Karoly Botvay | G Major | 3 | 9B | 137 BPM | ||
| Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Louis Frémaux, Brenda Lucas, John Ogdon, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 75 BPM | ||
| Variations on an Original Theme, Op. 36, "Enigma": Var. IX (Nimrod) | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Minor | 2 | 5A | 107 BPM | ||
| Symphony No.3 in F Major Op.90 - 3rd Movement | St. Martin's Symphony Of Los Angeles, Johannes Brahms | C Minor | 1 | 5A | 129 BPM | ||
| Norwegian Peasant Dances, Op. 72 | Isabel Mourao | E Major | 3 | 12B | 146 BPM | ||
| Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Sir Malcolm Sargent, BBC Symphony Orchestra | F Major | 2 | 7B | 86 BPM | ||
| Dukas: L'apprenti sorcier (Excerpt) | Paul Dukas, Oslo Philharmonic Orchestra, Mariss Jansons | D♭ Major | 5 | 3B | 117 BPM | ||
| 牧神の午後への前奏曲 | ベオグラード・フィルハーモニー管弦楽団, イゴール・マルケビッチ | A♭ Minor | 1 | 1A | 75 BPM | ||
| Hungarian Dance No.5 In G Minor | Royal Philharmonic Orchestra | G Minor | 2 | 6A | 126 BPM | ||
| Unfinished Symphony No. 8 in B Minor | South German Philharmonic Orchestra | B Minor | 0 | 10A | 110 BPM | ||
| Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra, Oscar Shumsky | C Major | 3 | 8B | 181 BPM | ||
| V. King Kastchei's Infernal Dance | Igor Stravinsky, Brussels Philharmonic, Ali Rahbari | D♭ Minor | 4 | 12A | 77 BPM | ||
| Concerto No. 2 in G Minor, Op. 8 RV 315, "L'estate" (Summer): III. Presto | Emmy Verhey | C Minor | 5 | 5A | 139 BPM |