"牧神の午後への前奏曲" by ベオグラード・フィルハーモニー管弦楽団, イゴール・マルケビッチ had its release date on May 7, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 昼下がりのBGM/45分, so we believe that "牧神の午後への前奏曲" is a single. 牧神の午後への前奏曲 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 牧神の午後への前奏曲 by ベオグラード・フィルハーモニー管弦楽団, イゴール・マルケビッチ is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | ||
| Serenade for Strings in E Minor, Op. 20: 2. Larghetto | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 88 BPM | ||
| Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | ||
| Serenade for Strings in C major, Op. 48: I. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | C Major | 3 | 8B | 123 BPM | ||
| 3 Gymnopédies: I. Lent et douloureux | Erik Satie, Frank Glazer | G Major | 0 | 9B | 83 BPM | ||
| Walzer No. 1 for Piano in E-Flat Major, Op. 18 | Peter Schmalfuss | A♭ Major | 1 | 4B | 134 BPM | ||
| Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
| Etude in C Sharp Minor Op. 2 No. 1 | The Harmonium Orchestra, Alexander Scriabin | D♭ Minor | 1 | 12A | 88 BPM | ||
| Estancia, Op. 8a: II. Danza del trigo | Alberto Ginastera, Magdalena Barrera, Orquesta Ciudad De Granada, Josep Pons | C Major | 0 | 8B | 87 BPM | ||
| Peer Gynt Suite No.2 op. 55 Peer Gynt's Homecoming (Allegro agitato) | Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 82 BPM | ||
| Prokofiev: Romeo and Juliet, Op. 64, Act 1: Juliet's Variation | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 0 | 7B | 68 BPM | ||
| Pictures at an Exhibition: Bydlo | Modest Mussorgsky, George Szell, The Cleveland Orchestra | D♭ Major | 0 | 3B | 79 BPM | ||
| Vaughan Williams: Fantasia on a Theme by Thomas Tallis (Opening) | Ralph Vaughan Williams, Sir Adrian Boult, London Philharmonic Orchestra | B♭ Major | 1 | 6B | 62 BPM | ||
| Carmen: Carmen, Act III: Intermezzo | Georges Bizet, London Symphony Orchestra, Don Jackson | B Major | 0 | 1B | 66 BPM | ||
| 3 Pieces in Old Style: No. 1, Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Major | 0 | 6B | 75 BPM | ||
| Sadko, Op. 5 (Arr. for Violin & Piano) | Nikolai Rimsky-Korsakov, Takako Nishizaki, Wolf Harden | C Major | 0 | 8B | 102 BPM | ||
| Carmen Suite No. 1: III. Intermezzo (Entracte After Act II) | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 128 BPM | ||
| Liebestraume, S541/R211, No. 3. Nocturne in A-Flat Major: 3. Nocturne in A-Flat Major | Franz Liszt, Roland Pöntinen | E♭ Minor | 0 | 2A | 63 BPM | ||
| III. Nocturne from String Quartet No. 2 in D Major | Alexander Borodin, Saulius Sondeckis, St. Petersburg Camerata | D Major | 1 | 10B | 175 BPM | ||
| Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 | London Symphony Orchestra | G Major | 1 | 9B | 74 BPM | ||
| Fauré Pavane | Gabriel Fauré, David Parry, London Philharmonic Orchestra | F♯ Minor | 1 | 11A | 83 BPM | ||
| Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, London Chamber Orchestra, Christopher Warren-Green | E Major | 1 | 12B | 82 BPM | ||
| Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
| Légende, Op. 17: Legende, Op. 17 (Version for violin and piano) | Henryk Wieniawski, Miklos Szenthelyi, Budapest Philharmonic Orchestra, György Gyorivanyi-Rath | G Minor | 1 | 6A | 89 BPM | ||
| Danzas fantasticas, Op. 22: Ensueno | Joaquín Turina, Orquesta Sinfónica de Castilla y León, Max Darman Bragado | G Major | 0 | 9B | 82 BPM |