"Footsteps In The Dark" by Elmer Bernstein had its release date on February 2, 1991. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "To Kill A Mockingbird". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Footsteps In The Dark is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Footsteps In The Dark by Elmer Bernstein having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 221B Baker Street - From The Granada Television Series Sherlock Holmes | Patrick Gowers | C Minor | 4 | 5A | 148 BPM | ||
| Al Lado | Armonias | D Major | 1 | 10B | 91 BPM | ||
| Not Goin' Home Anymore - From "Butch Cassidy And The Sundance Kid" Soundtrack | Burt Bacharach | E♭ Major | 1 | 5B | 97 BPM | ||
| The Entertainer - The Sting/Soundtrack Version (Piano Version) | Marvin Hamlisch | C Major | 3 | 8B | 170 BPM | ||
| Kings Row; Main Title (From "Kings Row") | Charles Gerhardt, Grover Helsley | B Major | 3 | 1B | 90 BPM | ||
| Control | Niclas Moan, Nocilla | F Minor | 2 | 4A | 69 BPM | ||
| Washington Ending / Raiders March | John Williams, London Symphony Orchestra | C Major | 3 | 8B | 131 BPM | ||
| The Magnificent Seven - Finale | Elmer Bernstein | E♭ Major | 1 | 5B | 153 BPM | ||
| "With Deep Regret..." | George Fenton | D Minor | 1 | 7A | 123 BPM | ||
| Main Title | Elmer Bernstein | B♭ Major | 3 | 6B | 118 BPM | ||
| Anno Domini | Miklós Rózsa | F Minor | 1 | 4A | 119 BPM | ||
| Shane Theme - From "Shane" Original Soundtrack | Victor Young | F Major | 2 | 7B | 178 BPM | ||
| Main Title | Elmer Bernstein | A Major | 0 | 11B | 80 BPM | ||
| War Is Declared / The Death of Charles | Max Steiner | D Minor | 3 | 7A | 75 BPM | ||
| Dinotopia Main Theme | Trevor Jones | D Major | 2 | 10B | 116 BPM | ||
| Theme of Exodus (from "Exodus", 1960 Film Score) | Ernest Gold, Twentieth Century-Fox Studio Orchestra | B Minor | 2 | 10A | 116 BPM | ||
| Medley (Laszlo / As Time Goes By / Orders / Die Wacht Am Rhein / Motor / Ilsa Returns / Telephone / Deutschland Über Alles / La Marseillaise / Plane) | The Warner Bros. Studio Orchestra | F Major | 2 | 7B | 99 BPM | ||
| You Like Boats But Not The Ocean | George Fenton | F Major | 1 | 7B | 144 BPM | ||
| Battle of Britain Suite: I. Spitfire Music – Battle in the Air | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 4 | 7B | 81 BPM | ||
| Reunion | Max Steiner | G Major | 2 | 9B | 183 BPM | ||
| Cliffhanger Theme | Trevor Jones | D Major | 4 | 10B | 89 BPM | ||
| Main Title | Leonard Rosenman | G Minor | 4 | 6A | 119 BPM | ||
| Orchestral Suite From The Inner Light | Various Artists | D Major | 1 | 10B | 65 BPM | ||
| High Noon (From "High Noon") | 101 Strings Orchestra | A Minor | 3 | 8A | 160 BPM | ||
| Leaving For Philadelphia | Rob Lane | D Minor | 4 | 7A | 87 BPM |