"War Requiem, Op. 66: III. Offertorium" by Benjamin Britten, Richard Hickox, London Symphony Orchestra, Heather Harper, Philip Langridge, John Shirley-Quirk, Roderick elms, London Symphony Chorus, Choristers of St Paul's Cathederal had its release date on August 1, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 12 in Britten: War Requiem, Sinfonia da Requiem & Ballad of Heroes by Benjamin Britten, Richard Hickox, London Symphony Orchestra, Heather Harper, Philip Langridge, Martyn Hill, John Shirley-Quirk, Roderick elms, London Symphony Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. War Requiem, Op. 66: III. Offertorium is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of War Requiem, Op. 66: III. Offertorium by Benjamin Britten, Richard Hickox, London Symphony Orchestra, Heather Harper, Philip Langridge, John Shirley-Quirk, Roderick elms, London Symphony Chorus, Choristers of St Paul's Cathederal is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto in F-Sharp Minor, Op. 20: IIa. Andante | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Irmelin Prelude | Frederick Delius, London Symphony Orchestra, Sir John Barbirolli | F♯ Major | 0 | 2B | 96 BPM | ||
| Montgomery Variations: I. The Decision – Andante deciso | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | D Minor | 0 | 7A | 141 BPM | ||
| Nocturnes, L. 91: I. Nuages (Arr. by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | A♭ Major | 3 | 4B | 113 BPM | ||
| Symphony No. 4, Op. 29 "The Inextinguishable": II. Poco allegretto | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | C Major | 0 | 8B | 77 BPM | ||
| The Dream of Gerontius, Op. 38 / Part 1: "Jesu, Maria, I Am Near To Death" | Edward Elgar, Sir Peter Pears, Choir of King's College, Cambridge, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | E♭ Major | 1 | 5B | 139 BPM | ||
| Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 0 | 1A | 84 BPM | ||
| A Child of our Time, Part I: The world turns on its dark side (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 0 | 9A | 64 BPM | ||
| Dona nobis pacem: The Angel of Death has been abroad | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | F Major | 2 | 7B | 88 BPM | ||
| O Waly Waly | Traditional, Sir Peter Pears, Benjamin Britten | A Major | 0 | 11B | 86 BPM | ||
| The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): March 27 and 28, 1974 | Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra | F♯ Major | 1 | 2B | 174 BPM | ||
| Roman Festivals: IV. La Befana | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert | G Major | 0 | 9B | 127 BPM | ||
| Le Tombeau de Couperin, M. 68a: I. Prélude. Vif | Maurice Ravel, Les Siècles, François-Xavier Roth | F♯ Major | 0 | 2B | 74 BPM | ||
| Taras Bulba: 1. The Death Of Andri | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | B Major | 1 | 1B | 84 BPM | ||
| Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: Canzona | Henry Purcell, Philip Ledger, The Philip Jones Brass Ensemble | B♭ Major | 0 | 6B | 128 BPM | ||
| The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Daniel Harding, Bavarian Radio Symphony Orchestra | C Minor | 2 | 5A | 89 BPM | ||
| Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 10, The Young Juliet | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 0 | 7B | 69 BPM | ||
| Concerto For Oboe And Strings: 2. Minuet & Musette | Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 88 BPM | ||
| Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM | ||
| Petite messe solennelle: Cum Sancto Spiritu | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | F Major | 2 | 7B | 100 BPM | ||
| Apollon musagète, K48: I. Birth of Apollo | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 86 BPM | ||
| Webern - Langsamer Satz, M.78 | Anton Webern, Borodin Quartet | E♭ Major | 2 | 5B | 92 BPM | ||
| Serenade for Strings in E Minor, Op. 20: III. Allegretto | Edward Elgar, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM |