The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): March 27 and 28, 1974 by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra Song Details

"The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): March 27 and 28, 1974" by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra had its release date on May 2, 1978. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 21 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): March 27 and 28, 1974 is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): March 27 and 28, 1974 by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.

Music Key

F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

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Popularity: 22%
Loudness: -27.287 dB
Acousticness: 54%
Danceability: 9%
Energy: 6%
Instrumentalness: 90%
Liveness: 68%
Loudness: 55%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Copland: Symphony No. 3: III. Andantino quasi allegretto -	Aaron Copland, San Francisco Symphony, Michael Tilson Thomas	E Minor	0	9A	71 BPM
Schoenberg: Suite in the Old Style for String Orchestra: II. Adagio	Arnold Schoenberg, Mario Venzago, Deutsche Kammerphilharmonie Bremen	G Major	1	9B	101 BPM
Eine Alpensinfonie, Op. 64, TrV 233: IX. Auf der Alm	Richard Strauss, Berliner Philharmoniker, Seiji Ozawa	E♭ Major	1	5B	105 BPM
Eine Alpensinfonie, Op. 64, TrV 233: XVII. Elegie	Richard Strauss, Berliner Philharmoniker, Seiji Ozawa	D Major	0	10B	70 BPM
Petrouchka: Chez Petrouchka	Ferenc Fricsay, Berliner Philharmoniker	E Minor	3	9A	89 BPM
Sinfonietta, FP 141: II. Molto vivace	Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud	B♭ Major	1	6B	79 BPM
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo	Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä	F♯ Minor	1	11A	66 BPM
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace)	Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra	B♭ Minor	1	3A	158 BPM
En blanc et noir: II. Lent. Sombre (Arr. R. Holloway for orchestra)	Claude Debussy, フランス国立リヨン管弦楽団, 準・メルクル	E♭ Major	1	5B	92 BPM
Symphony No. 3: I. Langsom, breit, ruhig	Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu	C Minor	1	5A	82 BPM
The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Fugue: Full Orchestra (Allegro molto)	Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra	D Major	4	10B	143 BPM
Czech Suite, Op. 39: IV. Romance	Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar	F♯ Major	1	2B	86 BPM
Swan Lake, Op. 20: No. 3 Scène	Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	A Major	2	11B	83 BPM
Concerto for 2 Pianos and Orchestra: III. Fuga chromatica - Allegro	Ralph Vaughan Williams, Tal & Groethuysen, Douglas Boyd	D Minor	3	7A	77 BPM
Ives / Orch. Brant: A Concord Symphony: III. The Alcotts	Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas	E♭ Major	1	5B	91 BPM
Symphony No. 3: II. Allegro molto	Aaron Copland, New York Philharmonic, Leonard Bernstein	G Minor	1	6A	65 BPM
Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance	Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen	E Minor	1	9A	96 BPM
Appalachian Spring Suite: III. The Bride and Her Intended. Moderato	Aaron Copland, Los Angeles Philharmonic, Zubin Mehta	D♭ Minor	0	12A	170 BPM
The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation XI: Trumpets (Vivace)	Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra	F Major	7	7B	74 BPM
Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent	Richard Strauss, André Previn, Philadelphia Orchestra	E♭ Major	2	5B	129 BPM
Peter and the Wolf, Op. 67: The Bird	David Bowie, Eugene Ormandy	C Major	1	8B	134 BPM
Ein Heldenleben, Op. 40, TrV 190: Des Helden Widersacher (the Hero's Enemies) -	Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink	G Major	0	9B	84 BPM
The Young Person's Guide to the Orchestra: Fugue: Full Orchestra (Allegro molto)	Benjamin Britten, Eugene Ormandy	D Major	6	10B	117 BPM
Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll	Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam	D♭ Minor	0	12A	131 BPM