Ned Rorem, Gregg Smith Singers, Gregg Smith's 'In Time of Pestilence: No. 2, Rich Man, Trust Not in Wealth' had a release date set for January 1, 1996. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 20 in the song's album "Rorem: Choral Works". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hong Kong. In Time of Pestilence: No. 2, Rich Man, Trust Not in Wealth is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In Time of Pestilence: No. 2, Rich Man, Trust Not in Wealth by Ned Rorem, Gregg Smith Singers, Gregg Smith having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Quintet No. 1 "Margarete": I. Prelude and Chorale | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | E Major | 1 | 12B | 83 BPM | ||
| Five Pieces for String Quartet, WV 68: No. 5, Alla Tarantella | Erwin Schulhoff, Leonkoro Quartet | E Major | 1 | 12B | 83 BPM | ||
| Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | ||
| Hartke: Netsuke "6 Movements for Violin and Piano": No. 6, Jewel of Widsom with Mountain Pavilions | Stephen Hartke, Augustin Hadelich, Orion Weiss | D Major | 2 | 10B | 104 BPM | ||
| Impresiones intimas: II. Pajaro triste | Federico Mompou, Olena Kushpler | D♭ Major | 0 | 3B | 79 BPM | ||
| Piano Trio No. 3 in F Minor, Op. 65, B. 130: III. Poco adagio | Antonín Dvořák, Trio 258 | E Major | 1 | 12B | 83 BPM | ||
| Abstractions: V. Three (Inspired by Brice Marden’s 3, 1987-88) | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | A Minor | 0 | 8A | 111 BPM | ||
| 5 Pieces, Op. 75, "the Trees": No. 4, Koivu (the Birch) | Jean Sibelius, Ralf Gothoni | D♭ Major | 0 | 3B | 131 BPM | ||
| Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | ||
| Violin Sonata in A Minor: III. Minuetto | Sergei Taneyev, Boris Brovtsyn, Eldar Nebolsin | C Major | 0 | 8B | 58 BPM | ||
| Concerto for English Horn and Orchestra: IV. Perpetual Motion | Ned Rorem, Thomas Stacy, Michael Palmer, Rochester Philharmonic Orchestra | G Major | 1 | 9B | 103 BPM | ||
| Symphony No. 2: Tranquillo | Bournemouth Symphony Orchestra, Ned Rorem | B♭ Minor | 1 | 3A | 96 BPM | ||
| Concerto for English Horn and Orchestra: III. Recurring Dream | Ned Rorem, Thomas Stacy, Michael Palmer, Rochester Philharmonic Orchestra | G Major | 0 | 9B | 81 BPM | ||
| Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
| Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | ||
| Winter Pages: II. The sun that brief December day | Ned Rorem, Fred Sherry, Frank Morelli, Ida Kavafian, Charles Wadsworth, Todd Palmer | C Major | 0 | 8B | 80 BPM | ||
| 3 Romances, Op. 22: 2. Allegretto | Clara Schumann, Elena Urioste, Isata Kanneh-Mason | G Major | 0 | 9B | 116 BPM | ||
| Introduction and Allegro appassionato, Op. 92, for Piano and Orchestra in G Major: I. Langsam | Robert Schumann, Christian Zacharias, Orchestre de Chambre de Lausanne | G Major | 0 | 9B | 132 BPM | ||
| Sea-Weed Song, Op. 12c | Ruth Gipps, Juliana Koch, Michael McHale | C Minor | 0 | 5A | 77 BPM | ||
| 3 Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Fernando Viani | B Major | 0 | 1B | 72 BPM | ||
| String Quartet No. 1 in D Major, Op. 25: I. Andante Sostenuto - Allegro Vivo | Benjamin Britten, Barbican Quartet | E Major | 1 | 12B | 83 BPM | ||
| Ciudadano Sombra: II. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | G Major | 1 | 9B | 94 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | E Major | 1 | 12B | 83 BPM | ||
| An die Musik, D. 547 (transcribed for cello and piano by Thedéen & Shirinyan) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | ||
| Die Dreigroschenoper: Overture (Arr. for Double Bass, Piano & Accordion by Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, William Vann, Murray Grainger, Marianne Schofield | E Major | 1 | 12B | 83 BPM |