- BPM
- 68
- Key
- D♭ Minor
- Camelot
- 12A
Action, Guns, Fun by Elliot Goldenthal Song Details
"Action, Guns, Fun" by Elliot Goldenthal had its release date on January 1, 1993. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 16 in Demolition Man (The Original Orchestral Score) by Elliot Goldenthal. Action, Guns, Fun is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Action, Guns, Fun by Elliot Goldenthal is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Music Key
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -14.53 dB
- Acousticness
- 45%
- Danceability
- 34%
- Energy
- 34%
- Instrumentalness
- 9%
- Liveness
- 43%
- Loudness
- 76%
- Speechiness
- 4%
- Valence
- 11%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Laura's Murder | Johnny Klimek, Reinhold Heil, Tom Tykwer, Berliner Philharmoniker, Sir Simon Rattle | B♭ Minor | 3 | 3A | 138 BPM | |
 | Malena - Titoli di coda | Ennio Morricone, Accademia Musicale Italiana | E Major | 1 | 12B | 89 BPM | |
 | Mercedes Lullaby | Javier Navarrete | F Minor | 1 | 4A | 76 BPM | |
 | Dirty War | Bryce Dessner | F Minor | 2 | 4A | 120 BPM | |
 | Cloud Atlas Opening Title | Tom Tykwer, Johnny Klimek, Reinhold Heil | D Minor | 3 | 7A | 140 BPM | |
 | Procession & Obsequis - Instrumental | Cesare Andrea Bixio, Elliot Goldenthal, Steven Mercurio, Jonathan Sheffer, London Metropolitan Orchestra, The Mask Orchestra | C Minor | 0 | 5A | 82 BPM | |
 | Akta | Éric Serra | D Major | 6 | 10B | 100 BPM | |
 | Burn It Blue | Caetano Veloso, Lila Downs | F Major | 3 | 7B | 78 BPM | |
 | Old Times - Instrumental | Alejandro Amenábar | C Minor | 0 | 5A | 50 BPM | |
 | Young Doctors Notebook | Stephen Warbeck | D Minor | 1 | 7A | 136 BPM | |
 | It's My Fault - End Credits | Roque Baños | G Minor | 1 | 6A | 85 BPM | |
 | Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | |
 | El amor no existe | Alejandro Amenábar | A Minor | 2 | 8A | 128 BPM | |
 | Unavoidable | Dario Marianelli | E Minor | 1 | 9A | 178 BPM | |
 | Ghostly hope | AI Creations | E Major | 3 | 12B | 78 BPM | |
 | La Jeune Fille en Feu (Bande originale du film) | Para One, Arthur Simonini | C Major | 1 | 8B | 150 BPM | |
| An Offering - Instrumental | Cesare Andrea Bixio, Elliot Goldenthal, Steven Mercurio, Jonathan Sheffer, London Metropolitan Orchestra, The Mask Orchestra | C Minor | 0 | 5A | 68 BPM | |
 | Main Title | Clint Eastwood | D♭ Major | 0 | 3B | 89 BPM | |
 | Camille | Georges Delerue | F♯ Minor | 3 | 11A | 72 BPM | |
 | Celesta Taboo Lament (Title Edit) - Bonus Track | Max Richter | G Major | 3 | 9B | 170 BPM | |
![The Trial of Ed Crane [The Man who wasn't there - Original Motion Picture Soundtrack] by Carter Burwell, Various Artists](https://i.scdn.co/image/ab67616d00001e0229f64c4d06587770fa9220af) | The Trial of Ed Crane [The Man who wasn't there - Original Motion Picture Soundtrack] | Carter Burwell, Various Artists | C Major | 1 | 8B | 74 BPM | |
 | Bab' Azîz | Armand Amar, Levon Minassian | B Minor | 1 | 10A | 88 BPM | |
 | As a Consequence of Zefir | Junkie XL | B♭ Minor | 3 | 3A | 120 BPM | |
| The Girl with the Plums | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker, Chen Reiss, State Choir Latvija | B♭ Minor | 1 | 3A | 59 BPM | |
 | The Leftovers (Main Title Theme) | Max Richter | G Minor | 3 | 6A | 98 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records