Roland Marais, Jakob David Rattinger, Rosario Conte, Ralf Waldner's 'Pièces de viole, Book 2, Suite No. 1 in C Major: III. La Ryneveld. Sarabande' had a release date set for January 7, 2014. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rosario Conte, Jakob David Rattinger, Ralf Waldner's "L'Univers de Marin Marais" album is number 18 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Pièces de viole, Book 2, Suite No. 1 in C Major: III. La Ryneveld. Sarabande's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces de viole, Book 2, Suite No. 1 in C Major: III. La Ryneveld. Sarabande by Roland Marais, Jakob David Rattinger, Rosario Conte, Ralf Waldner to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pieces de Viole, Book 2, Suite No. 2: III. Petit Rondeau Le Privat | Roland Marais, Petr Wagner, Ensemble Tourbillon | A Major | 1 | 11B | 113 BPM | ||
| Monteverdi: L'Orfeo, SV 318, Act 5: Moresca | Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner | G Major | 1 | 9B | 75 BPM | ||
| Sonata Da Chiesa No. 3 in C Major, Op. 5: I. Adagio | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | B Major | 2 | 1B | 91 BPM | ||
| Pieces de Viole, Book 2, Suite No. 4: VI. Gavotte en Rondeau La Goiffon | Roland Marais, Petr Wagner, Ensemble Tourbillon | A Major | 1 | 11B | 113 BPM | ||
| 18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
| Preludio in fantasia | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
| La Gamme en forme de petit Opéra: I. Ut - Ré | Marin Marais, The Scale Knitters | G Minor | 2 | 6A | 96 BPM | ||
| Couperin, L: La Piémontoise, G. 102 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 0 | 5B | 67 BPM | ||
| Suite in C Minor: IV. Le Privat - Petit Rondeau | Roland Marais, Jonathan Dunford, Sylvia Abramowicz, Nanja Breedijk, Daphni Kokkoni | D♭ Minor | 0 | 12A | 74 BPM | ||
| Il trionfo della divina Giustizia ne' tormente e morte di Gesù Cristo: Ouverture | Nicola Porpora, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | D♭ Minor | 2 | 12A | 104 BPM | ||
| Messa a quattro voci et salmi concertati: No. 4, Confitebor tibi, Domine, SV 193 | Claudio Monteverdi, Gerlinde Sämann, Ecco la musica | D Major | 1 | 10B | 102 BPM | ||
| Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM | ||
| Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM | ||
| Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
| Suite No. 2 in D Major: II. Allemande | Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | D♭ Major | 0 | 3B | 104 BPM | ||
| Lachrimæ antiquæ Novæ (Improvisation After the Lachrimæ or Seaven Teares by John Dowland) | Sokratis Sinopoulos, L'Achéron, François Joubert-Caillet, John Dowland | D♭ Minor | 1 | 12A | 101 BPM | ||
| Robert De Visée - Prelude for 2 Theorbos | Robert de Visée, Andreas Nachtsheim, Klaus Mader | F♯ Major | 1 | 2B | 70 BPM | ||
| Danze da Nuova e curiosa scuola de' balli teatrali (Arr. for Duo and Trio by T. Langlois de Swarte & O. Fourés): Micarena | Gregorio Lambranzi, Théotime Langlois de Swarte, Le Consort | F♯ Major | 0 | 2B | 62 BPM | ||
| Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo | Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas | A♭ Minor | 0 | 1A | 74 BPM | ||
| Vivaldi: Oboe Concerto in A Minor, RV 461: II. Larghetto | Antonio Vivaldi, Jaap Schröder, Michel Piguet, Concerto Amsterdam | F♯ Minor | 3 | 11A | 101 BPM | ||
| Mystery Sonata No. 5 "The 12-Year-Old Jesus in the Temple": III. Gigue | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | ||
| Cavalli: Ercole amante, Act 1: Sinfonia | Francesco Cavalli, Thomas Dunford, Jupiter | F♯ Minor | 1 | 11A | 107 BPM | ||
| Pieces de Viole, Book 2, Suite No. 2: I. Prelude Le Marais, Le Saxon | Roland Marais, Petr Wagner, Ensemble Tourbillon | B Minor | 0 | 10A | 82 BPM | ||
| Leçons de ténèbres: IIa. Vau. Et egressus est a filia Sion | François Couperin, Jonathan Cohen, Anna Dennis, Arcangelo | C Major | 1 | 8B | 74 BPM | ||
| Quartet in E minor / mi mineur / e-moll: I. Adagio | Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester | B Minor | 0 | 10A | 75 BPM |