"Pohádka, JW VII/5 "Fairy Tale": I. Con moto" by Matt Haimovitz, Christopher O'Riley had its release date on February 1, 2016. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. There are a total of 27 in the song's album "Shuffle. Play. Listen.". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. The popularity of Pohádka, JW VII/5 "Fairy Tale": I. Con moto is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pohádka, JW VII/5 "Fairy Tale": I. Con moto by Matt Haimovitz, Christopher O'Riley having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
| Kinderszenen, Op.15 - Cello And Piano: Träumerei | Robert Schumann, Mstislav Rostropovich, Alexander Dedyukhin | F Major | 1 | 7B | 88 BPM | ||
| Mother's Theme | Iskra String Quartet, Iskra Strings, Paul Frith | A Minor | 0 | 8A | 66 BPM | ||
| Ornament and Crime I | Bryce Dessner, Pekka Kuusisto | G Major | 3 | 9B | 90 BPM | ||
| Apres Moi, Le Deluge/after Me, The Flood 2 | Luna Pearl Woolf, Matt Haimovitz | D Minor | 0 | 7A | 91 BPM | ||
| The Last Bird | Zoë Keating | A♭ Major | 1 | 4B | 120 BPM | ||
| Castillo Interior: Adagio | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | ||
| Vertigo Suite: V. Scène d'amour | Matt Haimovitz, Christopher O'Riley | G Major | 0 | 9B | 182 BPM | ||
| Ascent | Hildur Guðnadóttir | G Minor | 1 | 6A | 70 BPM | ||
| Lamentate: Fragile e conciliante | Arvo Pärt, Ralph van Raat, Netherlands Radio Chamber Philharmonic, Joann Falletta | D♭ Major | 0 | 3B | 94 BPM | ||
| From Jewish Folk Poetry, Op. 79: III. Lullaby (Arr. for Cello and String Orchestra) | Dmitri Shostakovich, Sol Gabetta | D♭ Major | 1 | 3B | 140 BPM | ||
| Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
| Plan & Elevation: III. The Herbaceous Border | Caroline Shaw, Attacca Quartet | E Minor | 2 | 9A | 112 BPM | ||
| Afro-dite | Nia Imani Franklin, Matt Haimovitz | F Minor | 0 | 4A | 91 BPM | ||
| Jacqueline, Part I Star Birth: Intense Perfumes | Luna Pearl Woolf, Marnie Breckenridge, Matt Haimovitz | D Major | 1 | 10B | 79 BPM | ||
| Cello Suite No. 3, Op. 87: IV. Barcarolla | Benjamin Britten, Anastasia Kobekina | F♯ Major | 2 | 2B | 142 BPM | ||
| Vertigo Suite: II. The Nightmare (Arr. C. O'Riley for Cello & Piano) | Matt Haimovitz, Christopher O'Riley | G Major | 0 | 9B | 182 BPM | ||
| Gypsy Two | Rob Wasserman, Matt Haimovitz, Joan Jeanrenaud | A Major | 1 | 11B | 85 BPM | ||
| Pale Blue Dot | Roger Goula | G Minor | 2 | 6A | 94 BPM | ||
| Suite Italienne: III. Aria | Matt Haimovitz, Christopher O'Riley | G Major | 0 | 9B | 182 BPM | ||
| Omaramor For Solo Cello | Osvaldo Golijov, Alisa Weilerstein | D Major | 1 | 10B | 80 BPM | ||
| String Quintet in C Major, Op. 163, D. 956: IV. Allegretto | Franz Schubert, Matt Haimovitz, Miró Quartet | G Major | 1 | 9B | 95 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM | ||
| Suite for cello No. 1, Op. 72: Lamento: Lento rubato | Benjamin Britten, Robert Cohen | C Major | 0 | 8B | 89 BPM | ||
| Psalom | Arvo Pärt, NYYD Quartet, Paul Hillier | A Minor | 0 | 8A | 130 BPM |