"Scheherezade, Op. 35: II. The Story of the Kalendar Prince" by Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra had its release date on July 28, 2014. This song appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Rimsky-Korsakov: Scheherezade, Op. 35". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Scheherezade, Op. 35: II. The Story of the Kalendar Prince is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scheherezade, Op. 35: II. The Story of the Kalendar Prince by Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Polovtsian Dances From "Prince Igor" | Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Choir | D Major | 1 | 10B | 103 BPM | ||
| Karelia Suite, Op. 11: II. Ballade. Tempo di menuetto | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A Minor | 1 | 8A | 59 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 113 BPM | ||
| Romeo and Juliet, Op. 64: No. 13 Dance of the Knights | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 1 | 8B | 73 BPM | ||
| Danzón No. 2: Danzon No. 2 (Live) | Arturo Márquez, Singapore Symphony Orchestra, Lan Shui | D Minor | 2 | 7A | 107 BPM | ||
| Hungarian Rhapsody, S. 244: No. 2 in C Minor | Franz Liszt, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 86 BPM | ||
| Lyric Suite, Op. 54: IV. Troldtog (March of the Dwarfs) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | B♭ Major | 1 | 6B | 118 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 13, Dance of the Knights | Sergei Prokofiev, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 1 | 8A | 95 BPM | ||
| Symphony No. 1 in D Major "Titan": IIIb. A tempo. Ziemlich langsam | Gustav Mahler, Leonard Bernstein, New York Philharmonic | G Minor | 0 | 6A | 169 BPM | ||
| L’arlésienne Suite No. 2 (Arr. E. Guiraud): II. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| Intermezzo Op 72: Symphonic Interlude, Reverie by the fireplace | Richard Strauss, Thomas Rösner, Borusan Istanbul Philharmonic Orchestra | A♭ Major | 2 | 4B | 135 BPM | ||
| Tu mancavi a tormentarmi, crudelissima speranza (Arr. L. Stokowski) | Antonio Cesti, Brussels Philharmonic, Richard Egarr | E Major | 1 | 12B | 87 BPM | ||
| The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
| Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
| Fauré: Élégie, Op. 24 | Gabriel Fauré, Roland Pidoux, Jean-Claude Pennetier | A♭ Major | 0 | 4B | 92 BPM | ||
| Lieutenant Kijé Suite, Op. 60: II. Romance | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 109 BPM | ||
| Sibelius: Symphony No. 3, Op. 52: I. Allegro moderato | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | C Major | 1 | 8B | 127 BPM | ||
| Spanish Capriccio in A Major, Op. 34: V. Fandango asturiano | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | D Major | 3 | 10B | 96 BPM | ||
| Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
| Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
| Peer Gynt Suite No.1, Op.46: 3. Anitra's dance | Edvard Grieg, English Chamber Orchestra, Raymond Leppard | E Minor | 0 | 9A | 158 BPM | ||
| Nocturnes, CD 98: II. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
| Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
| VII. Finale | Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari | D♭ Minor | 3 | 12A | 81 BPM |