Cipriano de Rore, Marco Pesci's 'Ancor che col partire (Arr. For Lute)' had a release date set for September 26, 2006. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Lorenzino del Liuto, Marco Pesci's "Lorenzino Del Liuto: Lute Music" album is number 17 out of 20. On top of that, Hong Kong appears to be the country where this track was created. Ancor che col partire (Arr. For Lute) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ancor che col partire (Arr. For Lute) by Cipriano de Rore, Marco Pesci to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Time stands still | John Dowland, Ruby Hughes, Jonas Nordberg | B♭ Major | 0 | 6B | 108 BPM | ||
| Madrigali Erotici E Spirituali: Qui Laudes | Consort Of Musicke, Gabriele Micheli, Mary Nichols, Claudio Monteverdi, Andrew King, Joseph Cornwell, Emma Kirkby, Evelyn Tubb, Simon Grant | G Minor | 1 | 6A | 65 BPM | ||
| Motet: Parce, Domine | Heinrich Isaac, Jordi Savall | A Minor | 1 | 8A | 100 BPM | ||
| Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | D Major | 1 | 10B | 86 BPM | ||
| Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c | Henry Purcell, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | ||
| Fayrfax: Magnificat "Regale": IV. Suscepit Israel puerum suum | Robert Fayrfax, Choir of King's College, Cambridge, Stephen Cleobury | G Major | 2 | 9B | 111 BPM | ||
| Josquin: Missa Gaudeamus - 04. Gloria in Excelsis Deo | The Tallis Scholars, Peter Phillips | A♭ Minor | 2 | 1A | 88 BPM | ||
| Requiem in memoriam Josquin Desprez: VII. Communio - Lux aeterna | Jean Richafort, Huelgas Ensemble, Paul Van Nevel | C Major | 1 | 8B | 86 BPM | ||
| Morenica, dame un beso | Miguel de Fuenllana, Shirley Rumsey | C Major | 0 | 8B | 119 BPM | ||
| Miserere mei Deus, C. 116: IV. Asperges me hyssopo | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | F Major | 2 | 7B | 73 BPM | ||
| Lamentations Ieremiae Prophetae: Dabit percutienti | Alonso Lobo, Tenebrae, Nigel Short | B Minor | 2 | 10A | 79 BPM | ||
| Missa pro defunctis a 5 "Requiem": VI. Agnus Dei | Cristobal de Morales, De Profundis, Eamonn Dougan | B♭ Major | 1 | 6B | 82 BPM | ||
| Taverner: Missa Corona spinea - 10. Agnus Dei 2 | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 65 BPM | ||
| Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
| Vos me matastes | Miguel de Fuenllana, Shirley Rumsey | D Minor | 0 | 7A | 112 BPM | ||
| Trattado de glosas: Quinta Pars | Diego Ortiz, Bettina Hoffmann, Modo Antiquo | G Minor | 1 | 6A | 84 BPM | ||
| Guerrero: Dixit Dominus Petro | A5 Vocal Ensemble, Francisco Guerrero | B Major | 1 | 1B | 65 BPM | ||
| Missa pro defunctis: I. Introitus | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 63 BPM | ||
| Omnes de Saba venient | Jacobus Gallus, Apollo5 | B♭ Major | 3 | 6B | 142 BPM | ||
| Regina caeli laetare | Francisco Guerrero, RIAS Kammerchor, Justin Doyle | A Major | 2 | 11B | 79 BPM | ||
| Lachrimae or Seven Tears: II. Lachrimae antiquae novae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | ||
| Laudate Dominum omnes gentes a 5, SV 272 | Claudio Monteverdi, Choir of The King's Consort, The King's Consort, Robert King | B Major | 2 | 1B | 117 BPM | ||
| Recercar con obligo di cantar la quinta parte senza toccarla, F12.44 | Girolamo Frescobaldi, Anne Magouët, Kaoli Isshiki-Didier, Edwige Parat, Alice Duport-Percier, Franck Poitrineau, Volny Hostiou, Anne-Marie Blondel | G Minor | 1 | 6A | 138 BPM | ||
| Kaiserrequiem: VII. Communio (Lux aeterna) | Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif | C Minor | 1 | 5A | 67 BPM |