"Baiting the Line" by Randy Edelman had its release date on October 5, 1997. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Baiting the Line's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 11 in Anaconda (Original Motion Picture Soundtrack) by Randy Edelman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Baiting the Line is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Baiting the Line by Randy Edelman is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The New Fraser's Ridge | Bear McCreary | A Major | 1 | 11B | 78 BPM | ||
| Finding The Bottle | Gabriel Yared | A♭ Major | 3 | 4B | 89 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 166 BPM | ||
| Loved Ones and Leaving | Nicholas Hooper | D Major | 1 | 10B | 90 BPM | ||
| Ballycarbery Castle | Randy Edelman | G Major | 2 | 9B | 148 BPM | ||
| The Orange Tree | Philip Glass | G Minor | 2 | 6A | 105 BPM | ||
| Stoney Road To Dublin | Randy Edelman | D Major | 3 | 10B | 111 BPM | ||
| Illumielle | Jo Blankenburg | F Major | 5 | 7B | 140 BPM | ||
| The Call | Dario Marianelli | B Major | 1 | 1B | 74 BPM | ||
| Hall's Plan | Harald Kloser | E♭ Major | 1 | 5B | 95 BPM | ||
| We Can Try | Theodore Shapiro | C Major | 0 | 8B | 84 BPM | ||
| The Grand Ball | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 126 BPM | ||
| One Long Bluesy Night | Randy Edelman | G Major | 3 | 9B | 180 BPM | ||
| End Credits (From "The Cider House Rules" Score) | Rachel Portman, John Lenehan, David Snell | C Major | 1 | 8B | 141 BPM | ||
| The Last Farewell | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| Where Is Mr. Barrie? - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 2 | 8B | 134 BPM | ||
| Damaged - From “Downton Abbey” Soundtrack | John Lunn, The Chamber Orchestra Of London | F♯ Minor | 1 | 11A | 60 BPM | ||
| Tear It Down | Mark Isham | C Major | 0 | 8B | 113 BPM | ||
| Cutting The Rope | Harald Kloser | D Minor | 0 | 7A | 143 BPM | ||
| To Olivia | Debbie Wiseman | A Minor | 1 | 8A | 71 BPM | ||
| "Mr Warne!" | Nigel Westlake | G Major | 1 | 9B | 93 BPM | ||
| Mitch's Dream / End Title | Deborah Lurie | D Major | 1 | 10B | 183 BPM | ||
| Brianna and Roger Theme | Bear McCreary | A Minor | 1 | 8A | 128 BPM | ||
| Empty Store | George Fenton | G Major | 1 | 9B | 82 BPM | ||
| A Refreshing Swim - Dragonheart/Soundtrack Version | Randy Edelman | F Major | 2 | 7B | 70 BPM |