- BPM
- 138
- Key
- E♭ Major
- Camelot
- 5B
Holborn - March by Eric Coates, Sidney Torch, Sidney Torch Orchestra Song Details
Eric Coates, Sidney Torch, Sidney Torch Orchestra's ' "Holborn - March" was released on its scheduled release date, June 6, 2025. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 132 in the song's album "The Definitive Eric Coates". In this album, this song's track order is #57. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Holborn - March's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
With Holborn - March by Eric Coates, Sidney Torch, Sidney Torch Orchestra having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -14.278 dB
- Acousticness
- 98%
- Danceability
- 48%
- Energy
- 32%
- Instrumentalness
- 95%
- Liveness
- 8%
- Loudness
- 76%
- Speechiness
- 4%
- Valence
- 60%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Serenade for Strings in E-Flat Major, Op. 6: I. Andante con moto | Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung | B♭ Major | 1 | 6B | 109 BPM | |
 | The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | |
 | Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | |
 | Jazz Suite: II. Lyrical Waltz | Alexander Tsfasman, Zlata Chochieva, BBC Scottish Symphony Orchestra, Karl-Heinz Steffens | E Minor | 1 | 9A | 84 BPM | |
 | Danzas fantasticas, Op. 22: Ensueno | Joaquín Turina, Orquesta Sinfónica de Castilla y León, Max Darman Bragado | G Major | 0 | 9B | 82 BPM | |
 | Who is Sylvia?, Op.18, No.2 - Instrumental | Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 138 BPM | |
 | Mors et Vita: Judex | Charles Gounod, Richard Hickox Orchestra, Richard Hickox | C Minor | 1 | 5A | 95 BPM | |
 | Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 100 BPM | |
 | 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | |
 | Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | |
 | Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM | |
 | Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | |
| Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM | |
 | Binge: Sailing By (Radio 4, Shipping Forecast theme) | Ronald Binge, BBC Symphony Orchestra, David Parry | D Major | 0 | 10B | 103 BPM | |
 | Carmen Suite No. 1: III. Intermezzo, Interlude before Act III | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | |
 | Symphony No. 2 in One Movement, Op. 30: V. Adagio | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | B♭ Major | 0 | 6B | 115 BPM | |
 | Pelléas et Mélisande, Op. 80 (Arr. C. Koechlin): III. Andante moderato | Gabriel Fauré, Radio Sinfonieorchester Stuttgart des SWR, Heinz Holliger | N/A | N/A | N/A | 0 BPM | |
 | Pure Imagination | Mike Dixon | A♭ Major | 0 | 4B | 180 BPM | |
 | Arirang Fantasy | Anonymous, Korean Symphony Orchestra, Chung Chiyong | E♭ Major | 2 | 5B | 174 BPM | |
 | Jesu, Joy of Man's Desiring - Instrumental | Johann Sebastian Bach, Philadelphia Orchestra, Eugene Ormandy | G Major | 2 | 9B | 70 BPM | |
 | By the Sleepy Lagoon | Eric Coates | C Major | 2 | 8B | 89 BPM | |
 | London: I. Covent Garden | Eric Coates, John Wilson, BBC Philharmonic | D Major | 1 | 10B | 72 BPM | |
 | VII. Introduction (Prelude) | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | D Minor | 3 | 7A | 78 BPM | |
 | Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 82 BPM | |
 | Forgotten Dreams | Leory Anderson and His Orchestra | D Major | 1 | 10B | 95 BPM |
- ISRC
- GBAET2500201
- Label
- L-M Records/RCA Records