"Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern" by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan had its release date on January 1, 2001. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "R. Strauss: Zarathustra; Till; Don Juan; Heldenleben; Tod & Verklärung". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carmen / Act 3: Entr'acte | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 121 BPM | ||
| Madama Butterfly, Act III: Intermezzo – Oh eh! Oh eh! | Giacomo Puccini, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 81 BPM | ||
| Delirien Waltz, Op. 212 | Josef Strauss, Wiener Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 81 BPM | ||
| Requiem in D Minor, K. 626: 3. Sequentia: Confutatis - Live | Wolfgang Amadeus Mozart, Claudio Abbado, Berliner Philharmoniker, Swedish Radio Choir, Kay Johannsen | F Major | 0 | 7B | 70 BPM | ||
| Götterdämmerung, Act III Scene 3: Zurück vom Ring! | Richard Wagner, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 68 BPM | ||
| Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Minor | 6 | 5A | 103 BPM | ||
| Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | E Major | 1 | 12B | 79 BPM | ||
| Piano Concerto in G Major, M. 83: 1. Allegramente | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 141 BPM | ||
| Serenade for Strings in E Minor, Op. 20: II. Larghetto | Edward Elgar, Orpheus Chamber Orchestra | A Minor | 1 | 8A | 109 BPM | ||
| Ma mère l'oye, ballet, M. 62: 3. Les Entretiens de la Belle et de la Bête.Mouvement de Valse modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | G Minor | 0 | 6A | 89 BPM | ||
| Symphony No.7 In A, Op.92: 3. Presto - Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 120 BPM | ||
| Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 97 BPM | ||
| The Planets, Op. 32: 5. Saturn, the Bringer of Old Age | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 106 BPM | ||
| An der schönen blauen Donau, Waltz, Op. 314 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 95 BPM | ||
| Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM | ||
| Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 139 BPM | ||
| Verklärte Nacht, Op. 4 (Version for String Orchestra): V. Adagio (Bar 370) | Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 0 | 12A | 67 BPM | ||
| Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | C Major | 2 | 8B | 80 BPM | ||
| Adagio For Strings And Organ In G Minor | Remo Giazotto, Berliner Philharmoniker, Herbert von Karajan, David Bell, Leon Spierer | C Minor | 1 | 5A | 81 BPM | ||
| Giselle, Act I: No. 3, Loys seul – Entrée de Giselle | Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 73 BPM | ||
| Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied – Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Minor | 6 | 5A | 103 BPM | ||
| La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM | ||
| Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 83 BPM | ||
| Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
| Symphony No. 1 in D Major, Op. 25 "Classical Symphony": III. Gavotte. Non troppo allegro | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM |