"Dona Nobis Pacem 2" by Max Richter, Trio Fibonacci had its release date on September 27, 2024. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Max Richter, Trio Fibonacci's "Max Richter Remixed" album is number 17 out of 17. On top of that, Netherlands appears to be the country where this track was created. The popularity of Dona Nobis Pacem 2 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dona Nobis Pacem 2 by Max Richter, Trio Fibonacci to be Presto (very, very fast) because the track has a tempo of 186 BPM, a half-time of 93BPM, and a double-time of 372 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bonis: Miocheries, Op. 126: No. 13, La toute petite s'endort | Mel Bonis, Bertrand Chamayou | B Minor | 0 | 10A | 81 BPM | ||
| Lost Words | Evanor Lume | G Major | 0 | 9B | 122 BPM | ||
| The River | World Of Woe | F♯ Major | 1 | 2B | 96 BPM | ||
| Souvenir d'un lieu cher, Op. 42: No. 3 Mélodie | Pyotr Ilyich Tchaikovsky, Pablo Ferrandez, Julien Quentin | D Minor | 1 | 7A | 109 BPM | ||
| The Four Seasons: Summer 2 | Delirium Musicum, Étienne Gara | G Minor | 1 | 6A | 88 BPM | ||
| Threads Of Grey Velvet | Elena Kats-Chernin, Tamara Anna Cislowska | B♭ Major | 1 | 6B | 63 BPM | ||
| Becoming | Tony Woollard, Curve Ensemble | A♭ Major | 3 | 4B | 102 BPM | ||
| Relaxing Piano Music, Pt. 60 - Shadows, Episode 10 | Tomasz Trzcinski | E♭ Major | 4 | 5B | 76 BPM | ||
| Couperin, F: Second livre de pièces de clavecin, Sixième ordre: No. 5, Les barricades mystérieuses | François Couperin, Martin James Bartlett | E♭ Major | 2 | 5B | 67 BPM | ||
| One Day One King | Hanne Diamond | D Major | 0 | 10B | 80 BPM | ||
| Cello Sonata in E Major, Op. 121: I. Allegro espressivo e appassionato | Ignaz Moscheles, Steven Isserlis, Connie Shih | F Minor | 1 | 4A | 75 BPM | ||
| Pärt: Darf ich... | Arvo Pärt, Renaud Capuçon, Orchestre de Chambre de Lausanne | F♯ Minor | 2 | 11A | 71 BPM | ||
| Forgotten we’ll be – Letter from the Father - piano version | Zbigniew Preisner, Dominik Wania | G Major | 1 | 9B | 63 BPM | ||
| Romance No. 1 | Florian Pichlbauer | D Major | 0 | 10B | 131 BPM | ||
| Barcarolle | Five Sense | G Major | 2 | 9B | 118 BPM | ||
| Bright Edge Deep: The Block Split | Sarah Neutkens, Alma Quartet Amsterdam | A Minor | 1 | 8A | 80 BPM | ||
| String Quartet No. 13, 3rd Movement | Antonín Dvořák, vision string quartet | F Minor | 1 | 4A | 75 BPM | ||
| 7 Choralbearbeitungen nach Johann Sebastian Bach: No. 7, Erbarme Dich mein, o Herre Gott (After Chorale Prelude, BWV 721) | Reinhard Febel, Lucas Jussen, Arthur Jussen | A Major | 0 | 11B | 106 BPM | ||
| Solstice Ritual, Homage to Varèse and Ravel for 14 virtuosi: III. Bell Prayers | Augusta Read Thomas, Grossman Ensemble, Jeffrey Milarsky | D♭ Major | 0 | 3B | 64 BPM | ||
| Betty's Ballad | Ingo Höricht, Katerina Chatzinikolau, Hans Jürgen Osmers | B♭ Major | 6 | 6B | 105 BPM | ||
| Variation XI The Unknown of the Seine | Arash Safaian, Ludwig van Beethoven, Sebastian Knauer, Zürcher Kammerorchester | A Minor | 2 | 8A | 100 BPM | ||
| Song for Octave | Bryce Dessner, James McVinnie | G Major | 2 | 9B | 112 BPM | ||
| Caravan (Arr. for Two Violins and Piano by Tara Kamangar) | André-Aminollah Hossein, Virgil Boutellis-Taft, Irène Duval, César Birschner | D Major | 2 | 10B | 136 BPM | ||
| Trysting Fields | Gidon Kremer | C Minor | 1 | 5A | 79 BPM | ||
| Erbarme dich, mein Gott Variation (After Matthäuspassion, BWV 244, No. 47: Erbarme dich, mein Gott) [Arr. for Violin, String Quintet & Piano by Tim Allhoff] | Johann Sebastian Bach, Tim Allhoff, Eldbjørg Hemsing, Norwegian String Quintet | F Minor | 1 | 4A | 75 BPM |