"Chéri" by Erik Lautier, Maggi-Meg Reed, Elena Shadow, Marni Nixon, Lorinda Lisitza, Lucille Patton, Peter Clark, Charlotte Cohn, Lucas Blondheim had its release date on August 1, 2009. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Selections from Chéri". In this album, this song's track order is #3. Chéri is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chéri by Erik Lautier, Maggi-Meg Reed, Elena Shadow, Marni Nixon, Lorinda Lisitza, Lucille Patton, Peter Clark, Charlotte Cohn, Lucas Blondheim having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mass No. 3 in F Minor, WAB 28: I. Kyrie - Live | Anton Bruckner, Pablo Heras-Casado, SWR Symphonieorchester, Erika Baikoff, Wiebke Lehmkuhl, Sebastian Kohlhepp, Matthew Rose | F♯ Major | 1 | 2B | 80 BPM | ||
| Arctic Explorations, Scene 1 "Maggie Fox and the Spirit Circle": Margaret Fox Kane, That's Me (Maggie, Chorus) | Michael Dellaira, Nicole Haslett, New Amsterdam Singers, The Harlem Chamber Players, Clara Longstreth | D Major | 2 | 10B | 80 BPM | ||
| Symphony No. 8: III. Volante | Mihkel Kerem, Royal Liverpool Philharmonic Orchestra, Andrew Manze | F♯ Major | 1 | 2B | 80 BPM | ||
| Purcell: Now That the Sun Hath Veiled His Light, Z. 193 | Henry Purcell, Nancy Argenta, Paul Nicholson | D♭ Major | 0 | 3B | 71 BPM | ||
| The Creation, Hob.XXI,2: Pt. 1, In the Beginning | Joseph Haydn, Handel and Haydn Society, Jeremy Ovenden, Matthew Brook, Harry Christophers | B♭ Minor | 0 | 3A | 103 BPM | ||
| The Light of the Night | Darius Lim, Gabriel Lee, Voices of Singapore Children’s Choir, Donald Law | A Minor | 2 | 8A | 71 BPM | ||
| Joonas: Prologue. Teie, õelad (Chorus) | Rudolf Tobias, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | A Major | 1 | 11B | 92 BPM | ||
| Infinity | Kim André Arnesen, Alicia Rigsby, Kantorei, Joel Rinsema | D Major | 2 | 10B | 102 BPM | ||
| Kyrie | Christelijk koor Jigdaljahu | F♯ Major | 1 | 2B | 80 BPM | ||
| The Secret Agent, Act II: Scene 7 | Michael Dellaira, Amy Burton, Scott Bearden, Sara Jobin, Center for Contemporary Opera Orchestra | E Minor | 1 | 9A | 79 BPM | ||
| Banalités, FP 107: II. Hôtel | Francis Poulenc, Claire Booth, Jâms Coleman | F♯ Major | 1 | 2B | 80 BPM | ||
| Puccini: Turandot, Act 1: "Perché tarda la luna?" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | F♯ Minor | 0 | 11A | 78 BPM | ||
| Requiem, Op. 9: II. Kyrie | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | F Major | 2 | 7B | 70 BPM | ||
| Arctic Explorations, Scene 6 "Love Letters - Interlude II": My Dearest Maggie (Kane, Maggie) | Michael Dellaira, Colin Levin, Nicole Haslett, The Harlem Chamber Players, Clara Longstreth | D Minor | 1 | 7A | 187 BPM | ||
| Petite messe solennelle: XVII. O salutaris | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | G Major | 0 | 9B | 103 BPM | ||
| The Death of Webern: I. Moldenhauer's Study | Michael Dellaira, J.D. McClatchy, Frost School of Music Chamber Orchestra, Alan Johnson, Kevin Short | E Major | 1 | 12B | 80 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 2, Jesu, Maria - I am near to death (Gerontius) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton | C Minor | 2 | 5A | 84 BPM | ||
| To the Hands: No. 6, I Will Hold You | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | F♯ Minor | 0 | 11A | 70 BPM | ||
| Requiem, Op. 9: Domine Jesu Christe | Maurice Duruflé, Ivan Repušić, Munich Radio Orchestra, Bavarian Radio Chorus, Ljubomir Puškarić | D♭ Minor | 1 | 12A | 66 BPM | ||
| Stabat Mater: Stabat Mater: II. Cujus animam gementem | Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss | B♭ Minor | 3 | 3A | 184 BPM | ||
| Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | ||
| Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | F♯ Major | 1 | 2B | 80 BPM | ||
| Arctic Explorations, Scene 4 "Love Letters - Interlude I": My Dearest Maggie (Kane, Chorus, Maggie) | Michael Dellaira, Colin Levin, Nicole Haslett, New Amsterdam Singers, The Harlem Chamber Players, Clara Longstreth | D Major | 2 | 10B | 80 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Gloria sit Patri Domin | Gustav Mahler, Barbara Kubiak, Izabella Kłosińska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Warsaw Philharmonic Choir, Polish Radio Choir, Cardinal Stefan Wyszynski University Choir, Warsaw Boys Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | ||
| To the Hands: No. 3, Her Beacon-Hand Beckons | Caroline Shaw, The Crossing, Donald Nally | B Minor | 0 | 10A | 80 BPM |