The Nutcracker, Op. 71, TH 14, Act II Scene 14: Coda by Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, Sir Charles Mackerras Song Details

Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, Sir Charles Mackerras's 'The Nutcracker, Op. 71, TH 14, Act II Scene 14: Coda' had a release date set for November 1, 1986. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Tchaikovsky: The Nutcracker, Op. 71, TH 14 (Complete Ballet Score) [Original Motion Picture Soundtrack]". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United States. In terms of popularity, The Nutcracker, Op. 71, TH 14, Act II Scene 14: Coda is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Nutcracker, Op. 71, TH 14, Act II Scene 14: Coda by Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, Sir Charles Mackerras having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Music Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -21.673 dB
Acousticness: 93%
Danceability: 22%
Energy: 12%
Instrumentalness: 88%
Liveness: 22%
Loudness: 64%
Speechiness: 4%
Valence: 22%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Jazz Suite No. 2: IV. Waltz I	Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly	B♭ Major	2	6B	178 BPM
Waltz Suite, Op. 110: VI. Happiness (From Cinderella, Op. 87)	Sergei Prokofiev, Orquestra Sinfônica do Estado de São Paulo, Marin Alsop	D Major	1	10B	141 BPM
Carnival of the Animals, R. 125: Aviary	Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon	F Major	1	7B	162 BPM
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	E Major	0	12B	141 BPM
The Planets, Op. 32: 7. Neptune, the Mystic	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan, RIAS Kammerchor	A♭ Minor	0	1A	58 BPM
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	A♭ Major	0	4B	82 BPM
Symphony No.9 In D Minor, Op.125 - "Choral" - Excerpt From 4th Movement: 4. Presto	Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan	D Major	1	10B	74 BPM
Ancient Airs & Dances, Suite III, P. 172: IV. Passacaglia (Roncalli)	Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa	G Minor	3	6A	116 BPM
Prince Igor: Polovtsian Dances (Version for Chorus)	Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	A Major	2	11B	110 BPM
The Snowstorm: II. Waltz	Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra	A Major	2	11B	70 BPM
Laurencia, Pas de Six, Act II: 7. Laurencia's First Variation	Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes	G Major	0	9B	101 BPM
IV. Finale (Tema Russo)	Pyotr Ilyich Tchaikovsky, Wiener KammerOrchester, Philippe Entremont	D♭ Major	1	3B	79 BPM
Schwanensee, Ballettsuite op. 20 a - IV. Pas d'action	Symphonic Festival Orchestra, Denise Cloutier	E♭ Minor	0	2A	105 BPM
An der schönen blauen Donau, Waltz, Op. 314	Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan	D Major	0	10B	95 BPM
Die Fledermaus: Overture	Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan	B Minor	1	10A	97 BPM
Gold Und Silber (Gold And Silver), Op. 79	Slovak Radio Symphony Orchestra, Franz Lehár	C Major	1	8B	81 BPM
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII	Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra	D♭ Major	1	3B	61 BPM
Die Worte des Erlösers am Kreuze, Hob. XX:1: IX. Il Terremoto	Joseph Haydn, Metamorphose String Orchestra, Pavel Lyubomudrov	G Major	5	9B	155 BPM
Chopin - 6 Chants Polonais, S480/R145: No. 2. Fruhling(Wiosna, Spring)	Joseph Banowetz, Franz Liszt	G Major	1	9B	108 BPM
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato)	Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts	A Minor	4	8A	91 BPM
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile	Pyotr Ilyich Tchaikovsky, New Haydn Quartet	B♭ Major	0	6B	89 BPM
Peer Gynt Suite No. 1, Op. 46: II. Åse's Death	Edvard Grieg, Wiener Philharmoniker, Zubin Mehta	G Major	0	9B	99 BPM
21 Hungarian Dances for Orchestra, WoO 1: No. 5, Allegro (Arr. A. Parlow)	Johannes Brahms, Magyar Szimfonikus Zenekarok, Istvan Bogar	G Minor	2	6A	144 BPM
The Sleeping Beauty, Op. 66, Act I: No. 6, Valse "Garland Dance"	Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Antal Doráti	B♭ Major	2	6B	102 BPM
Symphony No. 25 in G Minor, K. 183: I. Allegro con brio	Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	2	6A	80 BPM