"Franck: Prélude, Fugue et Variation, Op. 18, CFF 30B (transcr. H. Bauer) – IV. Variation: Andantino" by César Franck, Mariam Batsashvili had its release date on August 26, 2022. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Romantic Piano Masters". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Franck: Prélude, Fugue et Variation, Op. 18, CFF 30B (transcr. H. Bauer) – IV. Variation: Andantino's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Franck: Prélude, Fugue et Variation, Op. 18, CFF 30B (transcr. H. Bauer) – IV. Variation: Andantino by César Franck, Mariam Batsashvili having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Film music for Henry V: 2 Pieces for Strings: II. Passacaglia: Death of Falstaff | William Walton, Bournemouth Sinfonietta, Richard Studt | E Minor | 0 | 9A | 79 BPM | ||
| Violin Sonata in A Major, M. 8: II. Allegro (Arr. J. Delsart for cello and piano) | César Franck, Harriet Krijgh, Kamilla Isanbaeva | C Minor | 1 | 5A | 97 BPM | ||
| Symphony In D Minor: 3. Allegro non troppo | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
| Cavalleria rusticana (Excerpts): Intermezzo | Pietro Mascagni, Kiev Virtuosi Symphony Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 78 BPM | ||
| Prima Stella | Andrea Sperelli | A Major | 1 | 11B | 101 BPM | ||
| Pavane, Op. 50 (Arr. H. Busser for cello and piano) | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 148 BPM | ||
| Bist du bei mir (Arr. Hewitt, Formerly Attrib. Bach as BWV 508) | Gottfried Heinrich Stölzel, Angela Hewitt | E♭ Major | 0 | 5B | 64 BPM | ||
| Symphony in D Major: III. Menuetto. Allegro non tanto | Luigi Cherubini, Sanremo Symphony Orchestra, Piero Bellugi | D Minor | 2 | 7A | 173 BPM | ||
| Franck / Transc. Bauer: Prélude, Fugue et Variation Op. 18, CFF 30B (transcr. H. Bauer) – II. Lento + III. Fugue (Allegretto ma non troppo) | César Franck, Mariam Batsashvili | B♭ Minor | 1 | 3A | 100 BPM | ||
| Romance sans Paroles - Bonus Track | Felix Godefroid, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
| Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII. Andante cantabile | Sergei Rachmaninoff, Gautier Capuçon, Gabriela Montero | D♭ Major | 0 | 3B | 84 BPM | ||
| Scarlatti, D: Keyboard Sonata in F Minor, Kk. 466 | Domenico Scarlatti, Fazıl Say | E♭ Minor | 0 | 2A | 90 BPM | ||
| Piano Concerto No. 6 in C Major, H. 49: II. Larghetto | John Field, Miceal O'Rourke, Matthias Bamert, London Mozart Players | E Major | 0 | 12B | 79 BPM | ||
| Fusionnelle | Omri Grummet, Nadav Amir-Himmel | F Major | 0 | 7B | 64 BPM | ||
| Cinderella, Op. 87, Act II: Waltz-Coda (Arr. M. Rostropovich) | Sergei Prokofiev, Lynn Harrell, Pavel Gililov | G Major | 3 | 9B | 80 BPM | ||
| Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 3 Aufenthalt | Franz Liszt, Mariam Batsashvili | B♭ Major | 1 | 6B | 115 BPM | ||
| The Island | Aleksander Debicz | A Minor | 1 | 8A | 67 BPM | ||
| Timeless | Allister Romans | E Major | 0 | 12B | 51 BPM | ||
| Prélude, Fugue et Variation, Op. 18: I. Andantino. II. Lento (Arr. pour piano) | César Franck, Nikolai Lugansky | B Minor | 0 | 10A | 70 BPM | ||
| Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Two Dialogues with Postscript: III. Morning Serenade | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | E Minor | 0 | 9A | 61 BPM | ||
| Nocturne in B Major, Op. 22: Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 133 BPM | ||
| Orfeo ed Euridice, Wq. 30, Act II: Danse des champs-elysées "Mélodie" (Arr. for Piano by Ignaz Friedman) | Christoph Willibald Gluck, Joseph Banowetz | A Major | 0 | 11B | 72 BPM | ||
| Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM |