On December 1, 1965, the song "Tujhya Usala Lagal Kolha Ga" was released by Sulochana Chavan. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Vasant Pawar's "Malhari Martand (Original Motion Picture Soundtrack)" album is number 1 out of 10. On top of that, India appears to be the country where this track was created. The popularity of Tujhya Usala Lagal Kolha Ga is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Tujhya Usala Lagal Kolha Ga by Sulochana Chavan to be Vivace (lively and fast) because the track has a tempo of 164 BPM, a half-time of 82BPM, and a double-time of 328 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kunya Gavach Aala Pakharu | Vijay Sartape | B Minor | 7 | 10A | 102 BPM | ||
| Dharmantar | Milind Shinde | A♭ Major | 5 | 4B | 81 BPM | ||
| Amrutacha Kara | Shaila Chikhale, Shrikant Narayan | F♯ Major | 5 | 2B | 83 BPM | ||
| Priye Paha 1965 | Annasaheb Kirloskar | B♭ Major | 3 | 6B | 112 BPM | ||
| Baila Majhya Naad Panyacha | Sau Ranjana Jogalekar | A♭ Major | 8 | 4B | 82 BPM | ||
| Jejurichya Khanderaya | Shahir Sable | D♭ Major | 7 | 3B | 114 BPM | ||
| Sagun Gunacha Bal | Suryakant Shinde | A♭ Minor | 9 | 1A | 111 BPM | ||
| Kuni Majhya Manat Laplay Re | Usha Mangeshkar, Chandrashekhar Gadgil | A Minor | 3 | 8A | 88 BPM | ||
| Nand Kishora Chitt Chakora | Anuradha Paudwal | G Major | 7 | 9B | 150 BPM | ||
| Nagaracha Baheri Aai Kay Ga He Vajte | Shakuntala Jadhav, Nanda Bhamre | B♭ Major | 7 | 6B | 82 BPM | ||
| Navriche Mandwane | Shrikant Narayan | B♭ Major | 6 | 6B | 85 BPM | ||
| Jotibacha Navana Changbhala | Shakuntala Jadhav | A♭ Minor | 7 | 1A | 111 BPM | ||
| Omkar Pradhan Rup | Suman Kalyanpur | G Minor | 3 | 6A | 82 BPM | ||
| Preetichya Chand Raati | Hemant Kumar | D♭ Major | 1 | 3B | 69 BPM | ||
| Math Dudhacha Fodla | Sulochana Chavan | A♭ Minor | 8 | 1A | 116 BPM | ||
| Andhala Martoy Dola | Jaywant Kulkarni | A♭ Minor | 5 | 1A | 96 BPM | ||
| Ekvira Aai Tu Dongaravari | Shaila Chikhale, Veena Bamne, Shrikant Narayan | A♭ Minor | 5 | 1A | 85 BPM | ||
| Aata Tari Deva Mala Pavshil Ka | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Mala Ek Chanas Hava | Mahendra Kapoor, Usha Mangeshkar | C Minor | 8 | 5A | 90 BPM | ||
| Lajun Hasane | Hridaynath Mangeshkar | A Major | 3 | 11B | 150 BPM | ||
| Ayali Tun Tun Tara | Shankar Patil | B Major | 5 | 1B | 88 BPM | ||
| Vinchu Chawla | Ajay-Atul, Akshay Taak, Ramanand Ugale | B Major | 8 | 1B | 123 BPM | ||
| Aamhi Haav Jaatiche Koli | Shahir Pandurang Vanmali | B♭ Minor | 5 | 3A | 71 BPM | ||
| Dholkichya Talavar - Devta / Soundtrack Version | Anuradha Paudwal | F Minor | 7 | 4A | 128 BPM | ||
| Ugvali Sukhrachi | Aarati Ankalikar | B♭ Minor | 6 | 3A | 110 BPM |