Steve Reich, Mivos Quartet's 'Different Trains: II. Europe - During the War - Pt. 1' had a release date set for February 3, 2023. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Different Trains: II. Europe - During the War - Pt. 1's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Steve Reich: The String Quartets". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Based on our statistics, Different Trains: II. Europe - During the War - Pt. 1's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Different Trains: II. Europe - During the War - Pt. 1 by Steve Reich, Mivos Quartet having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano & Violoncello 1 | Irena And Vojtech Havlovi | A Minor | 1 | 8A | 148 BPM | ||
| Sheep | Hiroshi Yoshimura | G Major | 1 | 9B | 81 BPM | ||
| Actinium | Xenia Pestova Bennett, Ligeti Quartet | D Major | 1 | 10B | 100 BPM | ||
| The Cave, Act I Scene 10: Genesis XXI | Steve Reich, The Steve Reich Ensemble, Paul Hillier, Cheryl Bensman-Rowe, Hugo Munday, James Bassi, Marion Beckenstein | D Minor | 4 | 7A | 156 BPM | ||
| Gougalōn, Scenes from a Street Theatre: IV. Episode between Bottles and Cans - Definitive Version 2011 | Unsuk Chin, Ensemble Intercontemporain, Pierre Bleuse | D Major | 2 | 10B | 107 BPM | ||
| Harmonielehre: Pt. III Meister Eckhardt and Quackie | John Adams | E Minor | 1 | 9A | 77 BPM | ||
| Movement 6 | Floating Points, Pharoah Sanders, London Symphony Orchestra | C Minor | 3 | 5A | 89 BPM | ||
| Lauda 3 | Gavin Bryars, Roger Heaton | G Minor | 0 | 6A | 76 BPM | ||
| Eon | Meredith Monk | A Minor | 1 | 8A | 157 BPM | ||
| Music for 18 Musicians: Section II | Steve Reich, Colin Currie, Colin Currie Group, Synergy Vocals | A Major | 2 | 11B | 100 BPM | ||
| And Still They Move | Colin Stetson, Sarah Neufeld | B♭ Major | 1 | 6B | 133 BPM | ||
| Jynweythek ylow (Arr. J. Orfe) | Aphex Twin, Alarm Will Sound, Allan Pierson | D♭ Major | 6 | 3B | 180 BPM | ||
| Stillness | Hilary Hahn, Hauschka | A Major | 0 | 11B | 75 BPM | ||
| Plan & Elevation: V. The Beech Tree | Caroline Shaw, Attacca Quartet | G Major | 2 | 9B | 117 BPM | ||
| Vermont Counterpoint | Steve Reich, Anne Parisot, Delphine Roche | A Minor | 3 | 8A | 116 BPM | ||
| Fische | Karlheinz Stockhausen, Ricciarda Belgiojoso, Walter Prati | F Minor | 1 | 4A | 114 BPM | ||
| No. 3, Create New Pattern | Julius Eastman, Wild Up, Christopher Rountree | E♭ Major | 4 | 5B | 124 BPM | ||
| Vega | Penguin Cafe Orchestra | D♭ Major | 0 | 3B | 62 BPM | ||
| She Is Dissolving | Irena And Vojtech Havlovi | D♭ Minor | 1 | 12A | 114 BPM | ||
| Railroad (Travel Song) | Meredith Monk, Bruce Brubaker | E Minor | 1 | 9A | 190 BPM | ||
| Passing On | Duval Timothy, CJ Mirra | E Major | 4 | 12B | 133 BPM | ||
| Act IV: Bed, Cadenza | Philip Glass Ensemble | A Minor | 1 | 8A | 83 BPM | ||
| Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I | Morton Feldman, Ensemble Recherche | C Major | 0 | 8B | 72 BPM | ||
| Extended Circular Music No. 2 | Jürg Frey, Tamriko Kordzaia | A♭ Minor | 0 | 1A | 112 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 2 | John Cage, Boris Berman | D♭ Major | 2 | 3B | 123 BPM |