R. Vedavalli's ' "Thillana - Khamas" was released on its scheduled release date, October 1, 2000. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Thillana - Khamas's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Narayana Theerthar's "Legends - R. Vedavalli,Vol. 2" album is number 13 out of 22. On top of that, India appears to be the country where this track was created. Based on our statistics, Thillana - Khamas's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Thillana - Khamas by R. Vedavalli to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Parama Mangala | Sri Vdyabhushan Teertha Swamiji, Rajkumar Bharathi, Puttur Narasimha Nayak | F♯ Minor | 5 | 11A | 141 BPM | ||
| Parvathy Nandana | Udaiyalur Kalyanaraman | F♯ Major | 7 | 2B | 145 BPM | ||
| Omkaara Roopa (From "Abhishekam") | Parupalli Ranganath | F♯ Major | 6 | 2B | 125 BPM | ||
| Vetriyai Tharubavar - Language: Tamil; Genre: Ganesha | T. L. Maharajan | D Major | 5 | 10B | 89 BPM | ||
| Vighna Rajaya Namo Namo | Parupalli Ranganath | C Major | 5 | 8B | 135 BPM | ||
| Chotrunai | Tiruttani N Swaminathan | D♭ Major | 8 | 3B | 162 BPM | ||
| Odumino Odumino - Ananda Bhairavi - Adi (Live) | P. Sathish Kumar, R. K. Sriram Kumar, R. Vedavalli | B♭ Major | 4 | 6B | 80 BPM | ||
| Yaar Enna Sonnalum - Maharajapuram Santhanam | Maharajapuram Santhanam | G Major | 4 | 9B | 157 BPM | ||
| Thirupugazh (Mangala Isai) | Thirupathi V Sathyanarayana, Valayapatti A R Subramaniyam | G Minor | 10 | 6A | 140 BPM | ||
| Vallabha Nayakasya | Muthuswami Dikshitar | A♭ Major | 6 | 4B | 156 BPM | ||
| Namasthe Paadambujam | Soumya Manoj | B Minor | 4 | 10A | 93 BPM | ||
| Tirupathi Venkataramana | R. Vedavalli | F Minor | 7 | 4A | 150 BPM | ||
| Soorya Bhagavan | Bombay Saradha | B Major | 4 | 1B | 91 BPM | ||
| Maasil Veenaiyum | Pa. Sargurunathan | D♭ Major | 6 | 3B | 143 BPM | ||
| Mangalamani Mangalamani | Vedavathi Prabhakar | G Major | 2 | 9B | 145 BPM | ||
| Thillana- R Vedavalli | R. Vedavalli | F♯ Major | 9 | 2B | 92 BPM | ||
| Pandalam | Baladesikan | F Minor | 7 | 4A | 90 BPM | ||
| Rudra Kavacham | M. K. Sankaran Namboothiri | D♭ Major | 4 | 3B | 127 BPM | ||
| Thamaru Mamaru | Dharmapuram P. Swaminathan | E Minor | 7 | 9A | 148 BPM | ||
| Asai Mugam - Maharajapuram Santhanam | Maharajapuram Santhanam | B Major | 7 | 1B | 105 BPM | ||
| Vaaraayo Vaaraayo | Soolamangalam Sisters | B Minor | 4 | 10A | 161 BPM | ||
| Surya Dandakam | Sri Hari Achyutha Rama Sastry | B Major | 3 | 1B | 68 BPM | ||
| Ayush Suktam | T.Sivaprasad, R.V. Sathyanarayanamurthy | A Major | 5 | 11B | 91 BPM | ||
| Rojappoo (Malar Padal) | Meera Krishna | A Major | 3 | 11B | 71 BPM | ||
| Vaani Pondu | R. Vedavalli, Traditional | F Major | 6 | 7B | 137 BPM |