"One Life Stand: II. The Pros and The Cons" by Cheryl Frances-Hoad, Jennifer Johnston, Joseph Middleton had its release date on July 28, 2014. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. One Life Stand: II. The Pros and The Cons's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 27 in Frances-Hoad: You Promised Me Everything by Cheryl Frances-Hoad, Choir of Gonville & Caius College, Cambridge, Jennifer Johnston, Joseph Middleton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. One Life Stand: II. The Pros and The Cons is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of One Life Stand: II. The Pros and The Cons by Cheryl Frances-Hoad, Jennifer Johnston, Joseph Middleton is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Harpsichord Sonata No. 18: Cantabile (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| When they saw the Star | Chloe May Evans, Ǣfendrēama | E♭ Major | 3 | 5B | 137 BPM | ||
| Variation 9: Nimrod) | John Cameron, Choir of St John's, Elora, Noel Edison | D♭ Major | 1 | 3B | 83 BPM | ||
| Concerti ecclesiastici: No. 50, Sonata à 4 | Giovanni Paolo Cima, Ecco la musica | D♭ Major | 2 | 3B | 87 BPM | ||
| A Boy Was Born, Op. 3: Corpus Christi Carol (arr. for lute by Jonas Nordberg) | Benjamin Britten, Ruby Hughes, Jonas Nordberg | B♭ Major | 0 | 6B | 87 BPM | ||
| Larghetto in F Minor | Samuel Sebastian Wesley, John Robinson | F Minor | 0 | 4A | 90 BPM | ||
| Requiem: Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
| Der Leib (BWV 161) - Arr. Simone Dinnerstein & Baroklyn | Simone Dinnerstein, Baroklyn | A Major | 2 | 11B | 71 BPM | ||
| My Fleeting Angel: II. Allegro spiritoso e scherzando | Cheryl Frances-Hoad, Ensemble na Mara, Tom Hankey, Oliver Coates, Alasdair Beatson | C Major | 2 | 8B | 98 BPM | ||
| Gjeilo: Northern Lights | Ola Gjeilo, Apollo5 | D Minor | 1 | 7A | 136 BPM | ||
| Missa pro defunctis a 5 "Requiem": I. Introitus | Cristobal de Morales, De Profundis, Eamonn Dougan | B♭ Major | 1 | 6B | 82 BPM | ||
| Ten Poems on Texts by Revolutionary Poets, Op. 88: No. 5: To Those Condemned to Death | Dmitri Shostakovich, Chorus of the Academy of Choral Arts, Victor Popov | A Major | 0 | 11B | 77 BPM | ||
| Vespro della Beata Vergine, SV 206: Et misericordia | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | D Minor | 4 | 7A | 132 BPM | ||
| När natten skänker frid | Karin Rehnqvist, Stockholms Musikgymnasium Chamber Choir, Helene Stureborg | B♭ Major | 0 | 6B | 136 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| 5 Preludes: No. 4, Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 76 BPM | ||
| From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 3, Lullaby | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | D Major | 0 | 10B | 73 BPM | ||
| Vexilla regis, WAB 51 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 130 BPM | ||
| Abendlied Op. 693 | Calmus Ensemble | E♭ Major | 1 | 5B | 80 BPM | ||
| Esti dal (Evening Song) | Zoltán Kodály, Pécs Chamber Choir, Aurél Tillai | D Major | 2 | 10B | 102 BPM | ||
| One Life Stand: V. The Shadow Tree | Cheryl Frances-Hoad, Jennifer Johnston, Joseph Middleton | G Major | 1 | 9B | 78 BPM | ||
| All Night Vigil, Op. 9: No. 18, Bless The Lord, O My Soul | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | B♭ Major | 0 | 6B | 87 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Child of Song | Kim André Arnesen, Beryl Fanslow, Kantorei, Joel Rinsema | C Major | 1 | 8B | 71 BPM |