Overture No. 2 in F Major: IV. Menuett by Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini Song Details

Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini's 'Overture No. 2 in F Major: IV. Menuett' had a release date set for June 30, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Veracini: Overtures and Concertos, Vol. 1 by Francesco Maria Veracini. The song's track number on the album is #9 out of 25 tracks. In terms of popularity, Overture No. 2 in F Major: IV. Menuett is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since Overture No. 2 in F Major: IV. Menuett by Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Overture No. 2 in F Major: IV. Menuett being at 99 BPM, the half-time would be 50 BPM with a double-time of 198 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Music Key

F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -12.045 dB
Acousticness: 98%
Danceability: 33%
Energy: 28%
Instrumentalness: 86%
Liveness: 15%
Loudness: 80%
Speechiness: 3%
Valence: 32%

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