Mark Williams's ' "Come With Me" was released on its scheduled release date, July 23, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 24 in the song's album "Universal Language". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Come With Me's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Come With Me by Mark Williams having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Insanae et vanae curae | Joseph Haydn, Choir of New College, Oxford, New Century Baroque, Edward Higginbottom | D♭ Minor | 1 | 12A | 122 BPM | ||
| Ave verum corpus | William Byrd, Choir of St. Ignatius Loyola, Kent Tritle | G Minor | 0 | 6A | 79 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VII. Auftritt des Cleonte | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | E♭ Major | 2 | 5B | 69 BPM | ||
| Variations On "America" | US Marine Band | F Major | 1 | 7B | 118 BPM | ||
| Tippett: Five Negro Spirituals (from A Child of Our Time) - Steal Away | The Chapel Choir of Pembroke College, Cambridge | G Major | 1 | 9B | 59 BPM | ||
| The Birds' Lullaby - SATB | Sarah Quartel, Oxford University Press, The Oxford Choir, Bob Chilcott | G Major | 1 | 9B | 104 BPM | ||
| The Last Words of David | Randall Thompson, Atlanta Master Chorale | G Major | 0 | 9B | 94 BPM | ||
| Alma redemptoris mater | Giovanni Pierluigi da Palestrina, Voices of Ascension Chorus, Dennis Keene | E♭ Major | 0 | 5B | 64 BPM | ||
| Chorale Prelude on East Acklam | James Flores | D Major | 0 | 10B | 128 BPM | ||
| Bloom | Steven Bryant, Rutgers Wind Ensemble, William Berz | F♯ Major | 1 | 2B | 91 BPM | ||
| O Lord My God (How Great Thou Art) | Carl Boberg, Stuart K. Hine, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 2 | 5B | 88 BPM | ||
| Cardiff Castle - Live | Mark Williams, VBC Beginning Band, Ted Frederick | D♭ Major | 2 | 3B | 97 BPM | ||
| Pray for the Love | Jackie Bristow, Mark Williams, Jason Kerrison, Taylor Williams, St Mary's School Choir | E Major | 7 | 12B | 94 BPM | ||
| Venus, the Bringer of Peace (From The Planets, Op. 32) - Arr. For Trombone & Organ | Gustav Holst, Peter Steiner, Constanze Hochwartner | C Major | 1 | 8B | 89 BPM | ||
| Ye Holy Angels Bright | John Darwall, John Scott, Richard Baxter, The Choir of Magdalen College, Oxford, Mark Williams | C Major | 2 | 8B | 91 BPM | ||
| David's Lamentation | Joshua Shank, University of South Dakota Chamber Singers, David Holdhusen | F Major | 3 | 7B | 137 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: I. Kyrie | Louis Vierne, Michel Bouvard | D♭ Minor | 2 | 12A | 73 BPM | ||
| Ubi caritas | Maurice Duruflé, Choir of Jesus College, Cambridge, Mark Williams | E♭ Major | 0 | 5B | 98 BPM | ||
| (Bonus Jont)- Eggnog | Neezy Macintosh, Mark Williams | D♭ Major | 4 | 3B | 161 BPM | ||
| Festival Toccata | Percy Fletcher, David Dunnett | C Major | 1 | 8B | 111 BPM | ||
| Hail Gladdening Light | Charles Wood, The Mancunium Consort | A Major | 2 | 11B | 73 BPM | ||
| Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
| 4 Motets, Op. 9: No. 4, Laudate Dominum | Marcel Dupré, The Choir of Magdalen College, Oxford, Alexander Pott, Mark Williams | F Major | 3 | 7B | 137 BPM | ||
| Serenade: Allegretto | William Mathias, Royal Ballet Sinfonia, Andrew Penny | E Minor | 0 | 9A | 118 BPM |