"Gramata cellam: I. Fortissimo" by Pēteris Vasks, Sol Gabetta had its release date on November 6, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vasks: Presence by Pēteris Vasks, Sol Gabetta. The song's track number on the album is #5 out of 6 tracks. Gramata cellam: I. Fortissimo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gramata cellam: I. Fortissimo by Pēteris Vasks, Sol Gabetta has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gramata cellam: I. Fortissimo being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| D'un soir triste | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 139 BPM | ||
| When I Am Laid in Earth | Henry Purcell, United Strings of Europe, Julian Azkoul | G Minor | 0 | 6A | 83 BPM | ||
| Belshazzar's Feast, JS 48: Prelude. Nocturno | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | G Major | 2 | 9B | 98 BPM | ||
| Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné "Tristes apprêts" | Jean-Philippe Rameau, Teodor Currentzis | D Major | 0 | 10B | 86 BPM | ||
| Josquiniana: I. Helas madame | Charles Wuorinen, Brentano String Quartet | A Minor | 0 | 8A | 99 BPM | ||
| DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
| Symphony No. 3, Op. 36 "Symphony of Sorrowful Songs": 2. Lento e largo | Henryk Górecki, Helena Wanda Błażusiakówna, Yvonne Kenny, Adelaide Symphony Orchestra, Takuo Yuasa | B♭ Minor | 0 | 3A | 90 BPM | ||
| Stille Musik: II. Abendserenade | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D Minor | 0 | 7A | 77 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| A Thousand Tongues | Missy Mazzoli, Emily D'Angelo, Mikayel Hakhnazaryan | D♭ Minor | 2 | 12A | 73 BPM | ||
| Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 111 BPM | ||
| Limestone & Felt | Caroline Shaw, Anastasia Kobekina, Mariana Doughty | F♯ Major | 2 | 2B | 142 BPM | ||
| Castillo Interior: Adagio | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | ||
| Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
| Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": III. Adagio - Finale | Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria | F♯ Minor | 0 | 11A | 77 BPM | ||
| Slave Raid | Balanescu Quartet | B♭ Major | 4 | 6B | 98 BPM | ||
| Fantaisie sur des motifs de l'opéra "Guillaume Tell" de Rossini (Arr. for 3 Cellos): I. Moderato | Alexandre Batta, Gioachino Rossini, Sol Gabetta, Victor Julien-Laferrière, Luca Magariello | D Major | 5 | 10B | 76 BPM | ||
| The Four Seasons: Summer 2 | Delirium Musicum, Étienne Gara | G Minor | 1 | 6A | 88 BPM | ||
| Fiori Musicali: Vientuļā kalla | Georgs Pelēcis, Kremerata Baltica | D♭ Major | 3 | 3B | 94 BPM | ||
| Crisantemi | Brodsky Quartet | F♯ Minor | 0 | 11A | 75 BPM | ||
| Insight | Dobrinka Tabakova, Maxim Rysanov, Roman Mints, Kristine Blaumane | D Minor | 1 | 7A | 86 BPM | ||
| Etude No. 5 (Arr. M. Beiser for Cello) | Philip Glass, Maya Beiser | F♯ Major | 6 | 2B | 127 BPM | ||
| Song of the Birds | Pablo Casals, Sol Gabetta, Amsterdam Sinfonietta | D Major | 1 | 10B | 68 BPM | ||
| Requiem, Op. 48: VIII. In Paradisum | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, La Maîtrise de Paris | D Major | 1 | 10B | 74 BPM | ||
| Two Dialogues with Postscript: I. Wedding Waltz | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | D♭ Minor | 1 | 12A | 164 BPM |