Holly Near's ' "It Could Have Been Me" was released on its scheduled release date, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 19 out of 37 in And Still We Sing: The Outspoken Collection by Holly Near. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, It Could Have Been Me's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of It Could Have Been Me by Holly Near is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Child of Mine | Bill Staines | B♭ Major | 3 | 6B | 84 BPM | ||
| Brother Can You Spare A Dime | The Weavers | A Minor | 0 | 8A | 92 BPM | ||
| Dry Bones | The Kossoy Sisters | F Major | 1 | 7B | 74 BPM | ||
| By Breath | Sara Thomsen | A Major | 3 | 11B | 133 BPM | ||
| To Raise The Morning Star | Holly Near | F Minor | 2 | 4A | 79 BPM | ||
| For You I Sing | Melanie DeMore | C Major | 1 | 8B | 101 BPM | ||
| Julian of Norwich | Gordon Bok, Ann Mayo Muir, Ed Trickett | C Major | 1 | 8B | 110 BPM | ||
| Sing to Me the Dream | Holly Near | G Major | 1 | 9B | 101 BPM | ||
| Seven Is the Number | Dave Carter & Tracy Grammer | E♭ Major | 3 | 5B | 124 BPM | ||
| Ability | Lady Glue | B Minor | 1 | 10A | 150 BPM | ||
| Summer Song | Caroline Herring | C Major | 3 | 8B | 132 BPM | ||
| The Ballad of Accounting | Peggy Seeger, Ewan MacColl | D♭ Minor | 1 | 12A | 126 BPM | ||
| Turning Toward the Morning | Gordon Bok, Ann Mayo Muir, Ed Trickett | G Major | 1 | 9B | 71 BPM | ||
| Ain't No Where You Can Run | Holly Near | C Minor | 8 | 5A | 149 BPM | ||
| It Could Have Been Me | Holly Near | D Major | 1 | 10B | 135 BPM | ||
| The Archetypal Man - Live at Boston Music Hall | Judee Sill | E Major | 1 | 12B | 116 BPM | ||
| Shock-A-Bag Blues | Late Start Productions | E♭ Major | 2 | 5B | 181 BPM | ||
| Women of the Well | Martha Tilston | D Major | 2 | 10B | 87 BPM | ||
| How Can I Keep from Singing | Gordon Bok, Ann Mayo Muir, Ed Trickett | D♭ Major | 0 | 3B | 112 BPM | ||
| Mama’s Cryin’ Long | Our Native Daughters | F Major | 3 | 7B | 133 BPM | ||
| Children One and All | Mary Travers | F♯ Major | 2 | 2B | 75 BPM | ||
| Don't Let It Die | Inês Bari, Luiz Oliveira | A♭ Major | 3 | 4B | 90 BPM | ||
| Amaze Me | Girlyman | E♭ Major | 3 | 5B | 124 BPM | ||
| Amazed (feat. Reed Fromer, Melanie De More, Holly Near & Talia Cooper) | Linda Hirschhorn, Reed Fromer, Holly Near, Melanie De More, Talia Cooper | A Major | 2 | 11B | 120 BPM | ||
| Working Girl Blues | Hazel Dickens, Alice Gerrard | A Major | 4 | 11B | 144 BPM |