- BPM
- 121
- Key
- E Minor
- Camelot
- 9A
Echoes (C) by Robert Howes, Rod Argent Song Details
"Echoes (C)" by Robert Howes, Rod Argent had its release date on January 1, 1984. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Robert Howes, Rod Argent's "Kpm 1000 Series: Second Sight" album is number 20 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Echoes (C)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
We consider the tempo marking of Echoes (C) by Robert Howes, Rod Argent to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
Music Key
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -16.676 dB
- Acousticness
- 86%
- Danceability
- 50%
- Energy
- 5%
- Instrumentalness
- 97%
- Liveness
- 25%
- Loudness
- 72%
- Speechiness
- 11%
- Valence
- 0%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Victoria | Wojciech Kilar, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | G Major | 3 | 9B | 101 BPM | |
 | Barrier Reef (A) | Rod Argent, Robert Howes | F Minor | 1 | 4A | 66 BPM | |
 | Discovery | Robert Howes, Barbara Courtney-King, William McGillivray, Steve Davies | F Major | 1 | 7B | 64 BPM | |
 | Akhnaten: Act II, Scene 3: Dance | Philip Glass, Dennis Russell Davies | F Major | 2 | 7B | 136 BPM | |
 | Aguirre II | Popol Vuh | F♯ Major | 3 | 2B | 142 BPM | |
 | Organ Concerto in G Minor, FP 93: I. Andante | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | F♯ Minor | 1 | 11A | 139 BPM | |
| Destructive Forces | Robert Howes, Barbara Courtney-King, William McGillivray, Steve Davies | D Major | 1 | 10B | 104 BPM | |
 | RUNAWAY HORSES ("poetry written with a splash of blood") | Philip Glass, Kronos Quartet, Michael Riesman | E♭ Major | 1 | 5B | 98 BPM | |
 | Adams: Nixon in China: Act I, Scene 1 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | A Minor | 0 | 8A | 105 BPM | |
 | Pärt: Fratres (1991 Version for String Orchestra and Percussion) | Arvo Pärt, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 1 | 7B | 180 BPM | |
 | Future View | Steve Davies, William McGillivray, Barbara Courtney-King, Robert Howes | G Major | 6 | 9B | 83 BPM | |
 | Modern chorusmusic: Lux Aeterna | György Ligeti, Helmut Franz, Chor des Norddeutschen Rundfunks | A Minor | 1 | 8A | 66 BPM | |
 | Sonata For Cello And Continuo In E Minor, R.40 - Arr. by Paul Bazelaire: 3. Lent et expressif (alla siciliana) | Antonio Vivaldi, Pierre Fournier, Lucerne Festival Strings, Rudolf Baumgartner | E Minor | 1 | 9A | 83 BPM | |
 | Dewdrop Dances | Conard Sandpiper | A Minor | 1 | 8A | 86 BPM | |
 | Gayane Suite No. 3: IV. Gayane's Adagio | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | F Minor | 1 | 4A | 74 BPM | |
 | 1ere Arebesque | Isao Tomita | F♯ Minor | 2 | 11A | 121 BPM | |
 | The heart understands things the mind cannot explain | Sleepy Puppy, Grounding Sanctuary, Astral Sound Temple, Sacred Sound Rituals | G Minor | 1 | 6A | 89 BPM | |
 | Cold Song’ (What Power Art Thou...) | Henry Purcell, VOCES8, Les Inventions, Dingle Yandell | E Minor | 1 | 9A | 134 BPM | |
 | Silk Touch (B) | Robert Howes, Rod Argent | E Minor | 1 | 9A | 121 BPM | |
| Tower of Strength | Robert Howes, Barbara Courtney-King, William McGillivray, Steve Davies | E Major | 4 | 12B | 132 BPM | |
 | Ellis Island (Arr. for Organ by James McVinnie) | Meredith Monk, James McVinnie | A Minor | 0 | 8A | 79 BPM | |
 | Ouverture | Georges Delerue | D Minor | 3 | 7A | 77 BPM | |
 | No Other Authority | Marc Ezenge | F♯ Major | 2 | 2B | 67 BPM | |
 | A forest | Martien van der Knijff | B♭ Major | 2 | 6B | 91 BPM | |
 | Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": I. Suo (The Marsh) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | F♯ Major | 1 | 2B | 119 BPM |
- ISRC
- GBBGL8400989
- Label
- L-M Records/RCA Records