"Over The Valley" by Richard Armstrong, Martin Nicholas Gratton, Intervox Music had its release date on January 13, 2021. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Over The Valley's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Warm Patterns by Various Artists. The song's track number on the album is #17 out of 33 tracks. Based on our data, Germany was the country where this track was produced or recorded. Over The Valley is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Over The Valley by Richard Armstrong, Martin Nicholas Gratton, Intervox Music has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Over The Valley being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
| Du bist der Lenz (Sieglinde's scene from Act 1, Scene 3) | Richard Wagner, Deborah Voigt, Bavarian Radio Symphony Orchestra, Richard Armstrong | B♭ Major | 1 | 6B | 121 BPM | ||
| Werther: Pourquoi me réveiller | Jules Massenet, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | F♯ Minor | 1 | 11A | 70 BPM | ||
| La clemenza di Tito, K. 621 / Act I: "Parto, ma tu ben mio" | Wolfgang Amadeus Mozart, Elina Garanca, Staatskapelle Dresden, Sebastian Weigle | C Major | 2 | 8B | 85 BPM | ||
| Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) | Étienne Nicolas Méhul, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | F Minor | 2 | 4A | 81 BPM | ||
| Ariadne on Naxos, Op. 60, TrV 228a, The Opera: Overture | Richard Strauss, Richard Armstrong, Scottish Chamber Orchestra | E♭ Major | 0 | 5B | 73 BPM | ||
| Norma / Act 1: Casta Diva | Vincenzo Bellini, Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 107 BPM | ||
| Massenet: Werther, Act 3: "Pourquoi me réveiller" | Jules Massenet, Kent Nagano, Anne Sofie von Otter, Jerry Hadley, Orchestre de l'Opéra de Lyon | A♭ Major | 0 | 4B | 181 BPM | ||
| Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | F♯ Minor | 4 | 11A | 86 BPM | ||
| Prom Dance | Martin Nicholas Gratton, Richard Armstrong, Intervox Music | D Major | 3 | 10B | 80 BPM | ||
| Wiegenlied | Richard Strauss, Anna Netrebko, Emmanuel Villaume, Prague Philharmonic Orchestra | D Major | 0 | 10B | 83 BPM | ||
| Werther: "Pourqui me reveiller" | Jules Massenet, Dennis O'Neill, Orchestra of the Welsh National Opera, Richard Armstrong | F♯ Minor | 1 | 11A | 81 BPM | ||
| Manon: N'est-ce plus ma main que cette main presse | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | B♭ Major | 1 | 6B | 78 BPM | ||
| Peaceful Country | Martin Nicholas Gratton, Richard Armstrong, Intervox Music | E Major | 1 | 12B | 135 BPM | ||
| La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
| Las Hijas del Zebedeo: Carceleras | Ruperto Chapí, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | D Minor | 1 | 7A | 82 BPM | ||
| Le Bourgeois Gentilhomme Suite, Op. 60b, TrV 228c: IV. Entry and Dance of the Tailors | Richard Strauss, Richard Armstrong, Scottish Chamber Orchestra, Bradley Creswick, David Watkin, Catriona Beveridge | A Minor | 1 | 8A | 78 BPM | ||
| Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
| Mozart: Don Giovanni, K. 527, Act 1: "Dalla sua pace" (Don Ottavio) | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Hans Peter Blochwitz, Concertgebouworkest | F Major | 1 | 7B | 114 BPM | ||
| Panis Angelicus | Franco Corelli | F♯ Minor | 1 | 11A | 70 BPM | ||
| Blowing Kisses | Hilgrove Kenrick, Richard Armstrong, Chloe Evans | A Major | 3 | 11B | 135 BPM | ||
| La Mia Letizia Infondere | The Young Pavarotti | E Major | 3 | 12B | 146 BPM | ||
| Die Fledermaus / Act 2: "Mein Herr Marquis" | Johann Strauss II, Edita Gruberova, Wiener Staatsopernchor, Wiener Philharmoniker, André Previn | D Major | 2 | 10B | 97 BPM | ||
| Faust, CG 4, Act III: Quel trouble inconnu – Salut, demeure chaste et pure | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | ||
| Lucia di Lammermoor / Act 3: O giusto cielo! ... Il dolce suono | Gaetano Donizetti, Nadine Sierra, Capella Cracoviensis, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | G Major | 1 | 9B | 66 BPM |