Renée Fleming's 'Today' had a release date set for January 1, 2010. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 11 in Dark Hope by Renée Fleming. Today is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Today by Renée Fleming is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prince Igor: Polovtsian Dances (Version for Chorus) | Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 2 | 11B | 110 BPM | ||
| Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 88 BPM | ||
| La Bohème / Act I: "Quando Me'n Vò" | Giacomo Puccini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Minor | 2 | 11A | 135 BPM | ||
| Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
| Vivaldi: Gloria in D Major, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | B♭ Minor | 2 | 3A | 130 BPM | ||
| Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar) | Jacques Offenbach, Nemanja Radulović, Camille Thomas, Double Sens | D Major | 0 | 10B | 73 BPM | ||
| 7 Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 0 | 6B | 67 BPM | ||
| Ave verum corpus, K.618 | Wolfgang Amadeus Mozart, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Peter Schreier | D Major | 0 | 10B | 139 BPM | ||
| Sous le dome epais | Elin Manahan Thomas | B Major | 3 | 1B | 74 BPM | ||
| Roméo et Juliette, CG 9 / Act 1: Ah, je veux vivre | Charles Gounod, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | F Major | 1 | 7B | 71 BPM | ||
| Lorsque vous n'aurez rien à faire | Dawn Upshaw | G Major | 2 | 9B | 87 BPM | ||
| Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
| Der Rosenkavalier, Op. 59 / Act 1: "Ach! Du bist wieder da!" | Richard Strauss, Renée Fleming, Sophie Koch, Munich Philharmonic Orchestra, Christian Thielemann | E♭ Major | 1 | 5B | 82 BPM | ||
| 'O sole mio (Arr. Chiaramello for Tenor & Orchestra) | Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | A Major | 3 | 11B | 135 BPM | ||
| Madame Butterfly: Coro a bocca chiusa | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 0 | 6B | 94 BPM | ||
| Porgy and Bess, Act I: Summertime | George Gershwin, Renée Fleming, New York Voices, Metropolitan Opera Orchestra, James Levine | B Minor | 2 | 10A | 92 BPM | ||
| L'elisir d'amore: "Una furtiva lacrima" | Luciano Pavarotti, Alfredo Di Lauro, Orchestra Di Lauro | B♭ Minor | 2 | 3A | 80 BPM | ||
| Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
| Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Craig Ogden, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | ||
| Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 89 BPM | ||
| Tales Of Hoffman: "Barcarolle" | Lesley Garrett, Philharmonia Orchestra, Andrew Greenwood | E♭ Major | 3 | 5B | 74 BPM | ||
| My Cherie Amour | Renée Fleming, Fred Hersch, Bill Frisell | A♭ Major | 3 | 4B | 117 BPM | ||
| Rusalka, Op. 114 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 3 | 4B | 176 BPM | ||
| I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
| Barcarolle | Jacques Offenbach, Anna Netrebko, Elina Garanca | D Major | 2 | 10B | 132 BPM |