James Holmes's 'Overture (Introduction)' had a release date set for May 13, 2014. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Overture (Introduction)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "One Touch Of Venus: First Complete Recording (Original JAY Cast First Complete Recording)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Overture (Introduction)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Overture (Introduction) by James Holmes having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | ||
| Hyacinth and english horn | Jalaapeno | A♭ Major | 0 | 4B | 56 BPM | ||
| Marriage of Figaro, K. 492: Overture | Wolfgang Amadeus Mozart, Rimma Sushanskaya, National Symphony Orchestra | D Major | 1 | 10B | 135 BPM | ||
| Those Magnificent Men in Their Flying Machines | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | B♭ Major | 2 | 6B | 74 BPM | ||
| The New Four Seasons - Spring: II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | D♭ Minor | 3 | 12A | 95 BPM | ||
| Japanese Maple | Debbie Wiseman, National Symphony Orchestra | C Major | 1 | 8B | 93 BPM | ||
| Rodrigo: Concierto de Aranjuez: I. Allegro con spirito | Joaquín Rodrigo, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | G Major | 2 | 9B | 125 BPM | ||
| Madrugado | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | E♭ Major | 2 | 5B | 138 BPM | ||
| A Heart Full of Love / The Waltz of Treachery / On My Own | Bournemouth Symphony Orchestra, Seann Alderking | D Minor | 1 | 7A | 86 BPM | ||
| Onegin's Toast (from "Onegin") | Georgiy Zheryakov, Baltic Symphony Orchestra | A Minor | 2 | 8A | 82 BPM | ||
| Westminster Waltz | Robert Farnon | D Major | 3 | 10B | 76 BPM | ||
| Full Moon | Philipp Alexander Geitmann | C Minor | 2 | 5A | 111 BPM | ||
| Seven Samurai Final Movement | Fumio Hayasaka, National Symphony Orchestra | D Major | 1 | 10B | 123 BPM | ||
| Myrtle | Debbie Wiseman, National Symphony Orchestra | F Minor | 1 | 4A | 82 BPM | ||
| Eugene Onegin, Op. 24: Act III Scene 1: Polonaise | Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 3 | 7B | 88 BPM | ||
| Shostakovich: Symphony No. 13 in B-Flat Minor, Op. 113 "Babi Yar": II. Humour. Allegretto | Dmitri Shostakovich, Mstislav Rostropovich, Choral Arts Society of Washington, Nicola Ghiuselev, National Symphony Orchestra | D♭ Major | 1 | 3B | 77 BPM | ||
| Valor de hombre | Evil HoseMan | C Major | 2 | 8B | 120 BPM | ||
| Serenade for Strings: I. Barcarolle | William Lloyd Webber, Richard Hickox, City of London Sinfonia | B Minor | 1 | 10A | 80 BPM | ||
| Entr'acte | National Symphony Orchestra | C Major | 4 | 8B | 138 BPM | ||
| Vanity Fair | Anthony Collins, RTE Concert Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 124 BPM | ||
| Shostakovich: Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Mstislav Rostropovich, National Symphony Orchestra | D Minor | 2 | 7A | 58 BPM | ||
| My Fair Lady: Overture | Frederick Loewe, Sinfonia Of London, John Wilson | C Major | 2 | 8B | 87 BPM | ||
| Entr'acte | National Symphony Orchestra | F Minor | 2 | 4A | 131 BPM | ||
| Emperor Waltz Op. 437 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 186 BPM | ||
| Eine Steppenskizze aus Mittelasien: Allegretto con moto | Alexander Borodin, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 139 BPM |