Antoine Forqueray, Michael Borgstede's ' "Suite No. 4 in G Minor: La Marella" was released on its scheduled release date, 2011. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 32 in Forqueray: Works for Harpsichord by Antoine Forqueray, Michael Borgstede. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Suite No. 4 in G Minor: La Marella is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Suite No. 4 in G Minor: La Marella by Antoine Forqueray, Michael Borgstede is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite No. 3 in D Major: No. 5, La Du Vaucel. Très tendrement | Antoine Forqueray, Jean-Baptiste Forqueray, Myriam Rignol, Mathilde Vialle | F♯ Major | 0 | 2B | 102 BPM | ||
| Pièces De Viole - 2Eme Suite. La Mandoline | Jordi Savall, Antoine Forqueray | F♯ Major | 0 | 2B | 118 BPM | ||
| Viola da gamba Sonata in D Major, A2:67: I. Andantino | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella, Thomas Boysen | F♯ Major | 1 | 2B | 54 BPM | ||
| Sonata for violoncello and basso continuo in G Major, WKO 147: II. Adagio | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 1 | 2B | 174 BPM | ||
| Sonata & Suite in B-Dur, BuxWV 273: Sonata & Suite in B-Dur, BuxWV 273: II. Adagio-Allegro-Poco adagio-Allegro | Dietrich Buxtehude, La Rêveuse, Benjamin Perrot, Florence Bolton, Sébastien Wonner | A Major | 2 | 11B | 100 BPM | ||
| Scarlatti, A: Concerto grosso in sette parti: No. 1 in F Minor: III. Largo | Alessandro Scarlatti, Europa Galante, Fabio Biondi | E Minor | 1 | 9A | 84 BPM | ||
| Le Concert: Premier air | Mademoiselle Laurant, Sophie de Bardonnèche, Louise Ayrton, Marta Paramo, Clément Batrel-Genin, Hanna Salzenstein, Justin Taylor | F♯ Minor | 1 | 11A | 92 BPM | ||
| Il primo libro de madrigali a due, tre, quattro, e cinque voci, Op. 1: No. 9, Godere, e tacere - Instrumental Version | Barbara Strozzi, Accademia dell'Annunciata, Riccardo Doni | D♭ Minor | 4 | 12A | 106 BPM | ||
| Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": II. Aria allegro - Variatio | Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria | F♯ Minor | 0 | 11A | 77 BPM | ||
| Pieces de viole, Suite No. 1 in D Minor: IV. La Bellemont: Avec Gout et sans lenteur | Antoine Forqueray, Paolo Pandolfo, Guido Balestracci, Rolf Lislevand, Eduardo Egüez, Guido Morini | B Minor | 0 | 10A | 79 BPM | ||
| Guillims Dumpe | Anonymous, The Musicians of Swanne Alley | F♯ Major | 0 | 2B | 133 BPM | ||
| Les Génies ou les Caractères de l'Amour: Rondeau | Mademoiselle Duval, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | D♭ Major | 1 | 3B | 110 BPM | ||
| Suite (Partita) No. 12 in C Major, FbWV 612: II. Courante | Johann Jakob Froberger, Władysław Kłosiewicz | F♯ Major | 3 | 2B | 126 BPM | ||
| Pièces De Viole - 1Ere Suite. La Cottin | Jordi Savall, Antoine Forqueray | F♯ Major | 0 | 2B | 118 BPM | ||
| Violin Sonata in B-flat Major, Op. 5 No. 2: I. Grave | Arcangelo Corelli, Enrico Onofri | A♭ Major | 0 | 4B | 32 BPM | ||
| Flute Sonata in G Major, Op. 1 No. 5, HWV 363b: III. [Adagio] | George Frideric Handel, Lisa Beznosiuk, Richard Tunnicliffe, Paul Nicholson | E♭ Minor | 0 | 2A | 81 BPM | ||
| Ode for St Cecilia's Day, Z. 339: "Here the Deities Approve" | Henry Purcell, Tim Mead, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Minor | 2 | 3A | 119 BPM | ||
| D'Anglebert: Suite No. 3 en ré mineur: VI. Sarabande Grave. Lentement | Jean-Henri d'Anglebert, Jean Rondeau, Thomas Dunford | A♭ Minor | 1 | 1A | 76 BPM | ||
| Troisième livre: La Forqueray | Jacques Duphly, Christophe Rousset | E Minor | 5 | 9A | 105 BPM | ||
| Ouverture in E Minor: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 2 | 7B | 81 BPM | ||
| Chamber Sonata No. 1 in B-Flat Major: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | A♭ Minor | 2 | 1A | 71 BPM | ||
| "Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
| Pièces De Viole - 1Ere Suite. La Bellemont | Jordi Savall, Antoine Forqueray | D♭ Minor | 0 | 12A | 117 BPM | ||
| Pièces de clavecin en concerts, Cinquième Concert, RCT 11: II. La Cupis (Arr. for Baroque Ensemble & Saxophone by Bo Wiget) | Jean-Philippe Rameau, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | D Minor | 1 | 7A | 131 BPM | ||
| Suite En Si Mineur: Gigue, II.90 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | B♭ Minor | 2 | 3A | 78 BPM |