Joe Hisaishi, アーサー ケント, Ella Taylor, 東京混声合唱団, Future Orchestra Classics's 'The End of the World (Version for Soprano / Recomposed by Joe Hisaishi)' had a release date set for August 8, 2025. This song is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The track order of this song in Joe Hisaishi, Ella Taylor, 東京混声合唱団, Future Orchestra Classics's "Joe Hisaishi Conducts" album is number 12 out of 12. On top of that, Japan appears to be the country where this track was created. The End of the World (Version for Soprano / Recomposed by Joe Hisaishi) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The End of the World (Version for Soprano / Recomposed by Joe Hisaishi) by Joe Hisaishi, アーサー ケント, Ella Taylor, 東京混声合唱団, Future Orchestra Classics to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Desert Music: ⅢA. slow | Steve Reich, Joe Hisaishi, 東京混声合唱団, Future Orchestra Classics | G Minor | 3 | 6A | 87 BPM | ||
| Partners | Elephant Gym | D Major | 2 | 10B | 179 BPM | ||
| Nocturne No. 3 in A-Flat Major, H. 26 | John Field, Alice Sara Ott | A♭ Major | 0 | 4B | 70 BPM | ||
| The Tempest, Op. 109: IV. Largo | Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra | E Major | 1 | 12B | 169 BPM | ||
| この道 | 岩城宏之, 東京混声合唱団, Hikaru Hayashi | F Minor | 0 | 4A | 75 BPM | ||
| Montgomery Variations: VI. Lament – Doloroso | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | G Minor | 1 | 6A | 106 BPM | ||
| Adoration (Arr. Gray for Violin & Orchestra) | Florence Beatrice Price, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | D Major | 3 | 10B | 74 BPM | ||
| 異神と共に | YOSHIHIRO KANNO | F Major | 2 | 7B | 67 BPM | ||
| Castles and Cobblestone | Evan Call | D Major | 2 | 10B | 179 BPM | ||
| Seis piezas a Violeta (2023 Version for String Orchestra & Piano): VI. Amen | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Joanne Pearce Martin | E Major | 0 | 12B | 57 BPM | ||
| Forever Home | Ayanna Witter-Johnson, Gautier Capuçon | C Major | 1 | 8B | 92 BPM | ||
| Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa | Wolfgang Amadeus Mozart, Daniel Barenboim, Choeur de l'Orchestre de Paris, Orchestre de Paris | D Minor | 1 | 7A | 83 BPM | ||
| Murder Ballades for Chamber Ensemble 7 Tears for Sister Polly | Bryce Dessner, Joe Hisaishi, ミュージック・フューチャー・バンド | F Major | 2 | 7B | 149 BPM | ||
| Gabriel's Oboe - From "The Falls" - Version for Cello & String Orchestra | Ennio Morricone, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov | D Major | 2 | 10B | 179 BPM | ||
| Satie: Mélodie | Erik Satie, Alexandre Tharaud, Nemanja Radulović | F Minor | 1 | 4A | 89 BPM | ||
| Emily — No Prisoner Be: No. 1, They shut me up | Kevin Puts, Time For Three, Joyce DiDonato | D Major | 2 | 10B | 179 BPM | ||
| パラオ共和国 我等がパラオ | Ymesei O. Ezekiel, Kazuki Yamada, 東京混声合唱団, 斎木ユリ, Japan Philharmonic Orchestra | E♭ Major | 2 | 5B | 102 BPM | ||
| Butterfly Lovers Violin Concerto: II. Allegro | Chen Gang, He Zhanhao, Chloe Chua, Singapore Symphony Orchestra, Rodolfo Barráez | A Major | 2 | 11B | 148 BPM | ||
| O nobilissima viriditas | Bryce Dessner, Barbara Hannigan, David Chalmin, Katia Labèque, Marielle Labèque | D Minor | 2 | 7A | 99 BPM | ||
| Cessate, omai cessate, RV 684: 2.Aria–Ah, che infelice sempre | Antonio Vivaldi, Raffaele Pe, La Lira di Orfeo | G Minor | 1 | 6A | 100 BPM | ||
| Rosamunde, D. 797: Entr'acte No. 3 | Franz Schubert, Joe Hisaishi, Future Orchestra Classics | B♭ Major | 1 | 6B | 104 BPM | ||
| Davis: Golden Eagles | Don Davis, Leonard Slatkin, Los Angeles Film Orchestra | F Major | 1 | 7B | 133 BPM | ||
| The God of Ramen | 近谷直之, Sara Wakui | D Major | 2 | 10B | 179 BPM | ||
| The End of the World (Version for Soprano): Ⅱ. Grace of the St.Paul | Joe Hisaishi, Future Orchestra Classics | D♭ Major | 4 | 3B | 103 BPM | ||
| 夢みたものは | 木下牧子, 山田和樹, 東京混声合唱団 | B♭ Major | 3 | 6B | 136 BPM |