Carl Millöcker, Robert Stolz's ' "Der Bettelstudent: Befreit das Land, geknüpft das Band" was released on its scheduled release date, February 21, 1966. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Carl Millöcker, Robert Stolz's "Millöcker: Der Bettelstudent (Excerpts)" album is number 14 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Der Bettelstudent: Befreit das Land, geknüpft das Band's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Der Bettelstudent: Befreit das Land, geknüpft das Band by Carl Millöcker, Robert Stolz to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Der Bettelstudent - operetta in 3 Acts: Nur das eine bitt' ich dich | Carl Millöcker, Franz Fehringer, Herta Talmar, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek | E Major | 2 | 12B | 82 BPM | ||
| Auf Flügeln der Liebe Polka schnell, op. 171 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | F Major | 3 | 7B | 153 BPM | ||
| Hoffmanns Erzählungen: Menuett Barcarole | Vienna State Opera Orchestra, Josef Drexler | D Major | 1 | 10B | 87 BPM | ||
| Der Bettelstudent, Act I: "Uns're Männer sperrt man ein" - "Wir bitten gar schön" - "Respekt und kein Skandal gemacht" - "Ach guter Meister Enterich" (Chor, Enterich) | Carl Millöcker, Sinfonieorchester des Hessischen Rundfunks, Kurt Schröder, Chor Des Hessischen Rundfunks, Karl-Erhardt Hardt | G Major | 4 | 9B | 100 BPM | ||
| Schwarzwaldmädel · Operette in drei Akten (Querschnitt in der Originalinstrumentierung) (2002 Digital Remaster), Zweiter Akt: - Alle Werden Sie Sich Drehen - Erklingen Zum Tanze Die Geigen (Bärbele, Römer) | Leon Jessel, Kurt Böhme, Erika Köth, Jürgen Förster, Christine Görner, Heinz Hoppe, Symphonieorchester Graunke, Cornelius Eberhardt, Harry Friedauer, Chor des Theaters am Gärtnerplatz, München, Willy Mattes | A Major | 2 | 11B | 84 BPM | ||
| (Berlin) Vauxhall Polka (1867) | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 2 | 10B | 95 BPM | ||
| Im weißen Rössl · Operette in 3 Akten (1988 - Remaster), Erster Akt: Introduktion (Reiseführer) | Ralph Benatzky, Grit van Jüten/Peter Minich/Benno Hoffmann/Norbert Orth/Peter Kraus/Elke Schary/Hans Putz/Werner Singh/Chor des Bayerischen Rundfunks/Münchner Kinderchor/Münchner Rundfunkorchester/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Muenchner Rundfunkorchester, Munich Radio Orchestra | B♭ Major | 4 | 6B | 96 BPM | ||
| Die lustige Witwe, Act I: No. 1, Introduction – Verehrteste Damen und Herren | Franz Lehár, Donald Grobe, Zoltan Kelemen, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
| Frau Luna: Ouvertüre | Paul Lincke, Hamburger Rundfunkorchester, Wilhelm Stephan | A Major | 4 | 11B | 75 BPM | ||
| Tyrolean Woodcutters' March | Josef Franz Wagner, Budapest Strauss Ensemble, Istvan Bogar | C Major | 3 | 8B | 118 BPM | ||
| Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
| Hino 79 - Bom É Estarmos Nós Aqui | Orquestra Sacra Paulista | C Major | 2 | 8B | 134 BPM | ||
| Der Bettelstudent: Akt II: "Soll ich reden, darf ich schweigen?" | Carl Millöcker, Karl-Friedrich Hölzke, Elisabeth Ebert, Rundfunk-Sinfonieorchester Leipzig, Günther Herbig | G Major | 3 | 9B | 117 BPM | ||
| Das Land des Lächelns / Act 2: Dein ist mein ganzes Herz | Franz Lehár, Heinz Hoppe, Grosses Operetten Orchester, Franz Marszalek | A♭ Major | 3 | 4B | 175 BPM | ||
| Da geh' ich ins Maxim | Johannes Heesters | D Major | 3 | 10B | 145 BPM | ||
| Czardas from 'Coppelia' | London Philharmonic Orchestra | D Major | 3 | 10B | 141 BPM | ||
| Kálmán: Die Csárdásfürstin, Act 2: "Tanzen möcht' ich" - "Tausend kleine Engel singen" (Sylva, Edwin) | Emmerich Kálmán, Anneliese Rothenberger, Nicolai Gedda, Willy Mattes, Symphonie-Orchester Graunke | D Major | 3 | 10B | 93 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Halt! Hokuspokus, Hexenschuss!" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | B♭ Major | 1 | 6B | 103 BPM | ||
| Die Hochquelle, Polka mazur, Op. 114 | Eduard Strauss, Christian Thielemann, Wiener Philharmoniker | D Major | 4 | 10B | 85 BPM | ||
| Die Csardasfurstin (The Gypsy Princess): Vorspiel | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
| Die Juliska Aus Budapest (aus Maske In Blau) | Anneliese Rothenberger | A Minor | 5 | 8A | 81 BPM | ||
| Der Bettelstudent - operetta in 3 Acts: Jeder Ton spricht davon | Carl Millöcker, Ingeborg Hallstein, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek | A Major | 3 | 11B | 68 BPM | ||
| La fille du régiment: Chacun les sait, chacun le dit | Gaetano Donizetti, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | D♭ Major | 2 | 3B | 82 BPM | ||
| Die Csardasfürstin: Tanzen mochte ich | Emmerich Kálmán, Ruth-Margret Pütz, Heinz Hoppe, Berlin Municipal Opera Orchestra, Hansgeorg Otto | D Major | 2 | 10B | 86 BPM | ||
| Un ballo in maschera: Overture | Giuseppe Verdi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Bruno Bartoletti | B♭ Minor | 3 | 3A | 87 BPM |