"Tenderly" by Sarah Vaughan had its release date on January 1, 1956. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 12 in At The Blue Note by Sarah Vaughan. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Tenderly is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tenderly by Sarah Vaughan is Presto (very, very fast), since this song has a tempo of 182 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It's De-Lovely | Jeri Southern | F Minor | 1 | 4A | 149 BPM | ||
| Blue Moon | Carmen McRae | C Major | 3 | 8B | 116 BPM | ||
| Prisoner Of Love | Billy Eckstine | D♭ Major | 3 | 3B | 62 BPM | ||
| They Can't Take That Away from Me | Fred Astaire | D Major | 1 | 10B | 109 BPM | ||
| Lost April | Nat King Cole Trio | E♭ Major | 1 | 5B | 76 BPM | ||
| Tea For You | Carmen McRae | F Major | 2 | 7B | 111 BPM | ||
| I Apologize | Billy Eckstine | D♭ Major | 4 | 3B | 170 BPM | ||
| How Deep Is The Ocean? | Susannah McCorkle | G Major | 0 | 9B | 134 BPM | ||
| September In The Rain | Dinah Washington | D♭ Major | 2 | 3B | 111 BPM | ||
| How Little We Know | Susannah McCorkle | D♭ Major | 2 | 3B | 121 BPM | ||
| Baby, Don't You Cry | Dakota Staton | A♭ Minor | 2 | 1A | 75 BPM | ||
| Autumn In New York | Billie Holiday | B♭ Minor | 1 | 3A | 72 BPM | ||
| Lover, Come Back To Me | Mildred Bailey | E Minor | 1 | 9A | 78 BPM | ||
| Smoke Gets In Your Eyes | Dinah Washington | A♭ Major | 3 | 4B | 84 BPM | ||
| You'll have to swing it | Chick Webb & His Orchestra, Chick Webb | B♭ Major | 3 | 6B | 119 BPM | ||
| Body And Soul | Sarah Vaughan | A♭ Major | 0 | 4B | 99 BPM | ||
| Taking A Chance On Love | Anita O'Day, Oscar Peterson Quartet | F Major | 2 | 7B | 139 BPM | ||
| Lover Man (Oh Where Can You Be) | Blossom Dearie | G Minor | 1 | 6A | 99 BPM | ||
| That's All | Sarah Vaughan | A♭ Major | 3 | 4B | 134 BPM | ||
| Cocktails For Two | Coleman Hawkins | C Major | 1 | 8B | 78 BPM | ||
| Lost In A Blue Note | April Barrows | B♭ Major | 1 | 6B | 100 BPM | ||
| This Is Always | Betty Carter | E Minor | 1 | 9A | 114 BPM | ||
| Change Partners | Fred Astaire | F Major | 0 | 7B | 81 BPM | ||
| Sugar | Lee Wiley | E♭ Major | 1 | 5B | 83 BPM | ||
| Someone to Watch Over Me | Lena Horne | G Major | 2 | 9B | 66 BPM |