- BPM
- 142
- Key
- G Minor
- Camelot
- 6A
The Short-Tempered Clavier: I. C Major by P.D.Q.Bach, Christopher O'Riley Song Details
P.D.Q.Bach, Christopher O'Riley's 'The Short-Tempered Clavier: I. C Major' had a release date set for August 1, 1995. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. The Short-Tempered Clavier: I. C Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "PDQ Bach: The Short-Tempered Clavier and Other Dysfunctional Works for Keyboard". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, The Short-Tempered Clavier: I. C Major's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With The Short-Tempered Clavier: I. C Major by P.D.Q.Bach, Christopher O'Riley having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
Music Key
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -27.947 dB
- Acousticness
- 98%
- Danceability
- 34%
- Energy
- 4%
- Instrumentalness
- 80%
- Liveness
- 13%
- Loudness
- 53%
- Speechiness
- 4%
- Valence
- 33%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 130 BPM | |
 | Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | |
 | Philidor: Le mariage de la grosse Cathos: Air des ivrognes | Andre Danican Philidor, La Simphonie Du Marais, Hugo Reyne | D♭ Major | 0 | 3B | 90 BPM | |
 | Altar de Viento: I. Luz Eólica | Orquesta Sinfónica de Heredia, Eddie Mora, Alejandro Escuer | F♯ Major | 3 | 2B | 80 BPM | |
 | Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | |
 | String of Pearls | The Royal Wind Music | E♭ Minor | 0 | 2A | 96 BPM | |
 | 3 Chorale-Based Piecelets, S. III: No. 2, Chorale Prelude on an American Hymn for the Last Sunday Before the Fourth Day of the Seventh Month After New Year's Eve | P.D.Q.Bach, Peter Schickele | D♭ Minor | 1 | 12A | 105 BPM | |
 | The Musical Sacrifice, S. 50% Off: I. Fuga Meshuga | P.D.Q.Bach, Susan Palma-Nidel, Stephen Taylor, Lauren Goldstein, Early Anderson, Gerald Tarack, Michael Williams | D Major | 1 | 10B | 125 BPM | |
 | The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Daniel Harding, Bavarian Radio Symphony Orchestra | C Minor | 2 | 5A | 89 BPM | |
| Zuiderzee-ballade | The Royal Wind Music | D♭ Major | 2 | 3B | 133 BPM | |
 | Pulcinella, K 034: VIII. Minuetto | Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons | C Minor | 0 | 5A | 77 BPM | |
 | Bassoon Concerto in F Major, Op. 75, J. 127: I. Allegro ma non troppo | Carl Maria von Weber, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | F♯ Major | 1 | 2B | 71 BPM | |
| Little Pickle Book, S. 6: IV. Lullaby and Goodnight | P.D.Q.Bach, Dennis James | A Minor | 3 | 8A | 108 BPM | |
 | Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Thema, "Chorale St. Antoni". Andante | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | B♭ Major | 0 | 6B | 175 BPM | |
 | Gil Blas: Theme. Allegro vivo | Jules Strens, Matty Cilissen, Royal Band of the Belgian Air Force | F Minor | 0 | 4A | 176 BPM | |
 | Saint-Saëns: The Swan (Le Cygne) | Conrad Zwicky | G Major | 0 | 9B | 69 BPM | |
 | Violin Concerto: II. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | G Minor | 2 | 6A | 94 BPM | |
 | Double Bass Concerto in G Major, D. 290: I. Adagio | Domenico Dragonetti, Ubaldo Fioravanti, Padova e del Veneto Orchestra, Claudio Martignon | G Major | 0 | 9B | 81 BPM | |
| Sonata da circo, S. 3 Ring: II. Entrada Grande | P.D.Q.Bach, David Robinson, Peter Schickele | E♭ Major | 0 | 5B | 111 BPM | |
 | Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | |
 | Cefeidas : 2. El Pensamiento crítico | Juan Pablo Fernández Ramos | F Minor | 0 | 4A | 70 BPM | |
 | Eccles: Sonata in G Minor: IV. Presto | Mark Morton | G Minor | 2 | 6A | 117 BPM | |
 | Romance in G Minor | Sergei Rachmaninoff, Quatuor Alfama | B♭ Major | 0 | 6B | 90 BPM | |
 | Suite for Strings, III. O, Waly Waly | John Rutter, Orchestra of the Music Makers, Tzelaw Chan | G Minor | 2 | 6A | 173 BPM | |
 | Sonate, Op. 168: I. Allegretto moderato | Camille Saint-Saëns, Michel Bettez, Pierre-Richard Aubin | D Major | 0 | 10B | 169 BPM |
- ISRC
- USTE10302390
- Label
- L-M Records/RCA Records