"Lyrical Pieces, Op. 43: No. 6, To Spring" by Edvard Grieg, Denis Kozhukhin had its release date on September 11, 2020. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Lyrical Pieces, Op. 43: No. 6, To Spring's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg, Denis Kozhukhin, Rundfunk-Sinfonieorchester Berlin, Vassily Sinaisky's "Grieg: Piano Works" album is number 8 out of 17. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Lyrical Pieces, Op. 43: No. 6, To Spring's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lyrical Pieces, Op. 43: No. 6, To Spring by Edvard Grieg, Denis Kozhukhin to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| L'Arlésienne Suite No. 2 (Arr. Guiraud): III. Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
| Scheherazade: The Tale of the Kalendar Prince | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | B Minor | 1 | 10A | 62 BPM | ||
| Le tombeau de Couperin: 3. Menuet (version for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | A Major | 1 | 11B | 107 BPM | ||
| Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Chamber Orchestra of Europe, Sir Roger Norrington | C Major | 1 | 8B | 147 BPM | ||
| Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
| Má Vlast, JB 1:112: The Moldau (Vltava) [Excerpt] | Bedřich Smetana, Leopold Stokowski, RCA Victor Symphony Orchestra | C Major | 2 | 8B | 74 BPM | ||
| Piano Concerto No.1 in E minor, Op.11: 2. Romance (Larghetto) | Frédéric Chopin, Krystian Zimerman, Polish Festival Orchestra | E Major | 0 | 12B | 65 BPM | ||
| Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM | ||
| Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
| Peer Gynt Suite No. 2, Op. 55: Solveig's Song | Jenő Hubay, Edvard Grieg, Nora Shulman, Judy Loman | A Minor | 1 | 8A | 99 BPM | ||
| Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. Schafe können sicher weiden (Arr. for Piano) | Johann Sebastian Bach, Khatia Buniatishvili | B♭ Major | 0 | 6B | 99 BPM | ||
| The Seasons, Op. 37a: VI. June. Barcarolle | Pyotr Ilyich Tchaikovsky, Bruce Liu | G Minor | 0 | 6A | 76 BPM | ||
| Lieder ohne Worte I, Op. 19b: VI. Andante sostenuto "Venetian Gondola Song", MWV U78 (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
| 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | E Major | 1 | 12B | 87 BPM | ||
| Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | ||
| Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
| I. Prélude. Andantino | César Franck, Jean-Pierre Armengaud | D Major | 0 | 10B | 66 BPM | ||
| Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 91 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Simon Trpčeski, Vasily Petrenko | E Major | 0 | 12B | 67 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| 4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | B♭ Major | 1 | 6B | 115 BPM | ||
| L'Oiseau de feu, K10: X. Khorovod (Ronde) des princesses | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | F Minor | 0 | 4A | 68 BPM | ||
| Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM |