"Peer Gynt Suite No. 2, Op. 55: Solveig's Song" by Jenő Hubay, Edvard Grieg, Nora Shulman, Judy Loman had its release date on June 1, 1998. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 19 in Dance Of The Blessed Spirits by Nora Shulman. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Peer Gynt Suite No. 2, Op. 55: Solveig's Song is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peer Gynt Suite No. 2, Op. 55: Solveig's Song by Jenő Hubay, Edvard Grieg, Nora Shulman, Judy Loman is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | ||
| Sonata: Allegro | Sophia Dussek, Judy Loman | C Minor | 1 | 5A | 126 BPM | ||
| Schubert: Schwanengesang, D. 957: No. 4, Ständchen | Franz Schubert, Anneleen Lenaerts, Dionysis Grammenos | C Minor | 0 | 5A | 131 BPM | ||
| Massenet: Thaïs, Act 2: Méditation. Andante religioso | Jules Massenet, Renaud Capuçon, Daniel Harding, Deutsche Kammerphilharmonie Bremen | E Minor | 1 | 9A | 94 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| Romanesca | L'Arpeggiata, Christina Pluhar | A Minor | 1 | 8A | 83 BPM | ||
| Cantata Memoria: Lament for the Valley | Karl Jenkins, Bryn Terfel, Elin Manahan Thomas, Côr Heol y March, Cor Y Cwm, David Childs, Joo Yeon Sir, Jody Jenkins, Sinfonia Cymru | D Minor | 3 | 7A | 127 BPM | ||
| Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
| Harmonies des bois, Op. 76: No. 2, Les Larmes de Jacqueline (Version for Cello & Orchestra) | Jacques Offenbach, Munich Chamber Orchestra, Werner Thomas-Mifune, Hans Stadlmair | C Major | 1 | 8B | 89 BPM | ||
| Song of India | Nikolai Rimsky-Korsakov, Jane Rutter | F Major | 0 | 7B | 133 BPM | ||
| Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM | ||
| Farinelli | Amy Dickson, Mark Edwards, Matteo Saggese, Dave Cottrell, London Session Orchestra, Mark Jaimes, Chris Hill | G Minor | 2 | 6A | 89 BPM | ||
| Concerto pour hautbois: Adagio | Benedetto Marcello, Orchestre Paul Kuentz, Chantal Perrier-Layec, Monique Frasca-Colombier, Régis Manceau, Gildas Prado | D Minor | 1 | 7A | 64 BPM | ||
| XIII. Le cygne (The Swan) [Arr. P. Vidal] | Camille Saint-Saëns, Maria Kliegel, Bournemouth Sinfonietta, Jean-François Monnard | G Major | 1 | 9B | 113 BPM | ||
| The Strawberry Thief | Sally Greenaway, David Shaw, Samuel Payne, Edward Neeman | E Minor | 1 | 9A | 72 BPM | ||
| Concerto a cinque No. 2, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 1 | 11B | 45 BPM | ||
| Lloyd Webber: The Gardens at Eastwell "A Late Summer Impression" (Arr. Soudoplatoff for Violin and Strings) | William Lloyd Webber, Vilde Frang, Robin Ticciati, Deutsches Symphonie-Orchester Berlin | E Minor | 1 | 9A | 99 BPM | ||
| Chaplin: Swing High Little Girl (Arr. Lehn for Trumpet and Orchestra) | Charlie Chaplin, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de Paris | F Major | 1 | 7B | 111 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18. Andante cantabile (Transcr. for Piano Solo by Michael R. Loveridge) | Katya Kramer-Lapin | E Minor | 2 | 9A | 112 BPM | ||
| Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
| Moderen, Op. 41, FS 94: Tögen letter (The Mist Is Rising) | Carl Nielsen, Ensemble MidtVest | C Major | 0 | 8B | 105 BPM | ||
| Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
| Tra Bo Dau (Arr. Huws for Harp) | Alis Huws | E♭ Major | 0 | 5B | 78 BPM | ||
| Comptine d'un autre été, l'après-midi (Arr. Lefvert for Guitar) | Alexandra Whittingham | D Major | 1 | 10B | 96 BPM |