Michel Roth, Peter Schweiger, Urs Leimgruber, Duo Cattrall, Uli Fussenegger's 'Räuber - Fragmente nach Robert Walsers Räuber-Roman für Sprecher, improvisierender Solist, Gitarre, Saxophon und Kontrabass' had a release date set for January 9, 2013. This song appears to be safe for all ages as it is not explicit. The track order of this song in Various Artists's "Grammont Sélection 5 (Uraufführungen aus dem Jahr 2011)" album is number 3 out of 12. On top of that, Switzerland appears to be the country where this track was created. Räuber - Fragmente nach Robert Walsers Räuber-Roman für Sprecher, improvisierender Solist, Gitarre, Saxophon und Kontrabass is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Räuber - Fragmente nach Robert Walsers Räuber-Roman für Sprecher, improvisierender Solist, Gitarre, Saxophon und Kontrabass by Michel Roth, Peter Schweiger, Urs Leimgruber, Duo Cattrall, Uli Fussenegger to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gougalōn, Scenes from a Street Theatre: II. Lament of the Bald Singer - Definitive Version 2011 | Unsuk Chin, Ensemble Intercontemporain, Pierre Bleuse | E♭ Minor | 1 | 2A | 95 BPM | ||
| Concerto for Violin and Orchestra, Op. 36: II. Andante grazioso | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko, Patricia Kopatchinskaja | E♭ Minor | 1 | 2A | 95 BPM | ||
| Carnival of the Animals: VIII. People with Long Ears | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | E Major | 0 | 12B | 84 BPM | ||
| 7 Papillons: No. 5, — | Kaija Saariaho, Anssi Karttunen | D Major | 2 | 10B | 61 BPM | ||
| Symphony No. 8, Zweiter Teil: VI. Waldung, sie schwankt heran | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus | B♭ Minor | 0 | 3A | 72 BPM | ||
| Me And My Big Mouth | Michael Giacchino | F Major | 1 | 7B | 70 BPM | ||
| Mirror - En Vivo | Jimmy Herrera | F Major | 1 | 7B | 107 BPM | ||
| Riessler: Family Affair | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Klavierstück V, Work No. 4: Klavierstuck V, Work No. 4 | Karlheinz Stockhausen, Fredrik Ullén | D♭ Major | 0 | 3B | 95 BPM | ||
| Pierrot Lunaire, Op. 21, Pt. 1: III. Der Dandy | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | A Major | 0 | 11B | 76 BPM | ||
| 3 Pieces for String Quartet: No. 3 | Igor Stravinsky, Goldner String Quartet | A♭ Major | 0 | 4B | 87 BPM | ||
| Bella By Barlight | John Lurie | A♭ Major | 0 | 4B | 77 BPM | ||
| Symphony No. 9: IVh. Adagissimo - Live at Philharmonie, Berlin, 1982 | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 82 BPM | ||
| The Showdown | Alan Silvestri | F♯ Major | 0 | 2B | 48 BPM | ||
| Kanon - 2001 Remastered Version | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Polnisches Radio-Sinfonieorchester Krakau | A♭ Major | 1 | 4B | 129 BPM | ||
| Räuber - Fragmente nach Robert Walsers Räuber-Roman für Sprecher, improvisierender Solist, Gitarre, Saxophon und Kontrabass | Michel Roth, Peter Schweiger, Urs Leimgruber, Duo Cattrall, Uli Fussenegger | D♭ Major | 2 | 3B | 86 BPM | ||
| Castillo Interior: Adagio | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | ||
| Sound Patterns | Pauline Oliveros, Brandeis University Chamber Chorus, Alvin Lucier | F Major | 3 | 7B | 172 BPM | ||
| Leaps of Faith | Vanessa Lann, Marcel Worms | C Major | 2 | 8B | 109 BPM | ||
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Dominic Desautels | E♭ Minor | 1 | 2A | 95 BPM | ||
| String Quartet No. 4, 2nd Movement, Percussive Dimensions | Béla Bartók, vision string quartet, Bernhard Schimpelsberger | E♭ Minor | 1 | 2A | 95 BPM | ||
| Shadows In Green | Mandy Tation | E♭ Major | 0 | 5B | 103 BPM | ||
| Whispers of Peace | Rylandiaa | G Major | 2 | 9B | 136 BPM | ||
| Ethereal Dance | Jarko Vento | D♭ Major | 6 | 3B | 110 BPM | ||
| De-Tuned Quartet | Jonny Greenwood | A Major | 4 | 11B | 136 BPM |