"Dancing Day- Part I - Personent Hodie" by John Rutter, Toronto Children's Chorus had its release date on 1991. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Dancing Day- Part I - Personent Hodie's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 21 in Dancing Day by Toronto Children's Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Dancing Day- Part I - Personent Hodie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dancing Day- Part I - Personent Hodie by John Rutter, Toronto Children's Chorus is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| When David heard | Thomas Tomkins, Choir of Clare College, Cambridge, Graham Ross | C Major | 1 | 8B | 129 BPM | ||
| Nocturnes: Sure On This Shining Night | Voce | D♭ Major | 0 | 3B | 128 BPM | ||
| Rudens Dziesma | Jānis Ivanovs, Youth Choir "Kamer...", Jurģis Cābulis | D Major | 1 | 10B | 132 BPM | ||
| Short Suite: Aria | David Lyon, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 75 BPM | ||
| A Prayer | Richard Harvey, Estonian Philharmonic Chamber Choir, Heli Jürgenson | A Major | 1 | 11B | 82 BPM | ||
| The Three Hermits: Pilgrims' Hymn | Stephen Paulus, Westminster Williamson Voices, James Jordan | G Major | 0 | 9B | 134 BPM | ||
| Gloriana, Op. 53: Choral Dance No. 4, Country Girls | Benjamin Britten, John Rutter, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| Nativity Carol | John Rutter, Franck, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble | D Major | 1 | 10B | 82 BPM | ||
| Hereford "O Thou Who Camest from Above" | Samuel Sebastian Wesley, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | E♭ Major | 1 | 5B | 77 BPM | ||
| Requiem: I. Requiem aeternam I | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Esmé Ellis | D Major | 0 | 10B | 83 BPM | ||
| Requiem (Arr. Johnson) | Eliza Gilkyson, Conspirare, Craig Hella Johnson | B♭ Major | 0 | 6B | 82 BPM | ||
| Intimation of Immortality | Shawn Kirchner, BYU Singers | E♭ Minor | 1 | 2A | 70 BPM | ||
| Requiem in D Minor, Op. 48: II. Offertoire | Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers, Stephen Varcoe | G Major | 1 | 9B | 83 BPM | ||
| The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | ||
| Alkukuoro, Vuorten Ylle Aurinko on Noussut (Suuri Kalansaalis) | Oulun kamariorkesteri, Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM | ||
| Notre Pere, Op. 14 | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | E Major | 0 | 12B | 109 BPM | ||
| No. 8, Willow Song | John Rutter, The Cambridge Singers, City of London Sinfonia | A Major | 0 | 11B | 101 BPM | ||
| I was glad when they said unto me | Hubert Parry, Christopher Dearnley, Barry Rose | B♭ Major | 3 | 6B | 84 BPM | ||
| Christ fuhr gen Himmel | Sjaella | E Minor | 1 | 9A | 134 BPM | ||
| Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
| Elegy, Op. 58 | Edward Elgar, English Northern Philharmonia, David Lloyd-Jones | F Minor | 0 | 4A | 84 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 128 BPM | ||
| Beatus vir, SV 268 | Claudio Monteverdi, The Cambridge Singers, La Nuova Musica, John Rutter, Amy Haworth, Amy Moore, Thomas Hobbs, Ben Breakwell, James Holliday | C Major | 1 | 8B | 99 BPM |